Walking on the Greenbelt along the river in Boise, Idaho, always presents interesting photo ops. This was taken when they were putting together the framework for a new building at Boise State University.
Photojournalists show us a world most people would never get to see. From war-torn countries to championship sports, their images convey some of the most inspiring moments as well as some of the most heartbreaking. The Museum of Photographic Arts, located in San Diego, California, through the Pictures of the Year International exhibition, celebrates the power of these images and the people who create them.
On The Cover
In this month’s issue we cover a quartet of software programs that can be very helpful to photographers. We’re also happy to present our annual “Weird and Wonderful” report that covers unique gear. Tests include the exciting new Sony Alpha 99, a “full-framer,” and the latest Canon PIXMA printer, the PRO-10. The cover shot is by Rick Dahms, who is part of our roundtable on professional associations, and who tells us that the shot is of “Pepper Fewel, innkeeper and trail boss, with daughter and wrangler Tiffany Fewel on the fence. Cherry Wood Bed, Breakfast & Barn, Zillah, Washington.”
Our Picture This! assignment was multiple exposures, combining two or more images either in camera or later in software. Multi’s take planning and exposure execution, and readers sent in images that show both that previsualization and the final work that was applied. Images ranged from bursting fireworks to imaginative constructions to tricks for the eye and mind. Some show careful alignment; others count on the seemingly random layering of effects and images that can always reveal a visual surprise.
The January rainstorms had come to the Utah high desert mountains, making it a perfect day to capture the storm clouds and rainbows that moved across the various mountain ranges. As I was driving on the outskirts of the small town of Gunlock, Utah, I came around a large mountain cliff ledge. To my surprise under the ledge were at least a dozen donkeys trying to escape the cold, freezing drizzle and get the warmth coming off the rock face. There were two donkeys in particular that caught my eye because of their noisy insistence on being in the same place.
On The Cover
This month’s issue features the latest on new cameras seen at the CES show, including the latest in “connected” cameras and a novel take on 3D shooting. We also have reports on some new film and film cameras, as well as a new test on a production model Canon EOS-1D X (our lab test on www.shutterbug.com was on a preproduction sample). Inside you’ll also find news on some accessories that may just catch your eye, plus a revealing look at the fine art photography market.
Our Picture This! assignment this month was Patterns, a subject near and dear to every photographer’s heart and eye. The challenge is to frame the scene so that the flow of the pattern is reinforced, or at times interrupted, in a visually surprising way. A pattern can be repetitive in terms of subject and rhythm, or it can be composed of diverse textures and forms that, through composition, become unified. Color, shadow and highlight, and creative use of depth of field all work together to create an effective image. Readers sent in images that covered nature, architecture, landscape, manufactured goods, and a wide variety of structures from all around the world. This was one of our most popular topics in terms of the number of submissions we received, so it was tough to narrow them down to the photos you see here.
This King Penguin chick, warm in his downy “fur coat,” didn’t seem to mind the snow, cold, or gray skies, but he plaintively called for his parents hoping to be fed. Larger than either parent he seemed to be well cared for, but his full-throated calls and beseeching body language made it clear that he wanted his parents and food now. It’s hard to make your voice heard among so many thousands I’m sure, but it made us smile. He has more in common with human children than he knows.
On The Cover
In this month’s issue we are featuring an insider’s look at the portrait photography business from a number of pros who have made their mark in the field. We’re adding in a number of lighting tests on strobes and monoblocs, as well as light modifiers, plus we’ve got lab tests on a Sony SLT and two compact cameras. Plus our photokina reports continue with a look at some really fascinating cameras.
While it’s true that photography is “writing with light,” shadows often play an equal and important role. They define form and space, create dimensionality, and concentrate the viewer’s eye on the main subject of the scene. Our Picture This! assignment this month was “negative space,” and we asked readers to send us images that use this important tool of the craft to good effect. We received portraits, landscapes, still life and abstract images, all of which display a thoughtful use of the “dark side” of aspects of the image. Exposure plays a key role in creating this effect, as does a strong scene contrast that allows the photographer to “read the highlights and let the shadows fall where they may.” All this stems from the old days when photographers were often forced by their use of slide film to create deep areas in their images in order to keep the highlights from burning up. Now that we have HDR and other contrast-fighting exposure tools it is a conscious exposure decision made to add so much to an image’s effect.