Fill flash, when applied appropriately, can bring out details, enhance color, and open shadows that might not be accessible if shooting with natural light alone. Our assignment for this month’s Picture This! was to bring a touch of fill to subjects that would benefit from this “taste” of light applied to a subject or scene. In most cases readers responded by using fill to highlight natural subjects, florals, birds, and the smaller creatures that inhabit the planet. Details became vivid, colors popped, and all the delight of nature’s design came to the fore.
The invention of the Kodak handheld camera in 1888 gave post-impressionist artists a new source of inspiration. Snapshot: Painters and Photography, Bonnard to Vuillard is the first exhibition to focus on how the new technology energized the artists’ working methods and creative vision. Presenting over 200 photographs along with over 70 paintings and prints from renowned international collections, the exhibition is on view at the Phillips from Feb. 4 through May 6, 2012.
I captured this image on a backpacking trip to the Pictured Rocks National Lakeshore in Michigan one wet, stormy morning. I’ll never forget rounding the corner to the beach at dawn, instantly getting blasted by 25 to 30 mph winds and standing in awe of the massive 15- to 20-foot waves that were plowing into the shoreline. I decided to start shooting what was becoming an amazingly intense sky when all of the sudden a rainbow—than a double—materialized in the frame. I never moved the camera when the rainbows showed up—they were compositionally perfect in the viewfinder!
On The Cover
This month, in addition to our usual run of product reviews, we are presenting you with a bit of software magic, as we share new tools and tricks we uncovered in the latest image-editing applications. We are also featuring an assortment of photo essays by photographers who realize the power the black-and-white medium holds.
There is a school of thought that says that all good human design is derived from patterns in nature, and that we have a natural sympathy for objects that echo what we see around us in the natural world. Indeed, even the most abstract of human creations, be it painting, architecture, or simple tools, all seem to stem from what nature has taught and revealed. The subject of this month’s Picture This! assignment is Patterns in Nature, where we requested readers to go out and find those most pleasing, often intricate, and quite mysterious designs that we discover in the natural world and reveal through composition, lighting, and point of view with our cameras.
I was touring in Merida, Spain, through Roman ruins. I had an image of columns, brick, and shadow lined up when a young girl in red flashed into my frame. Wow! With just a bit of serendipity I had captured old vs. contemporary, free form vs. ossification, modern meets old. For me, this was just a great moment. I processed this image in Lightroom and took the color out except for red, allowing even more stark contrast.
RTP, Rehabilitation Through Photography announces the election of Jackie Augustine to the position of President of the Board of Directors. Jackie is a 30 year veteran of the photographic industry. She served as Group Publisher of VNU/Nielsen’s Performance Group of Magazines and prior to that she was VP, Group Publisher of the High Technology Group of magazines at Primedia which included Petersen’s PHOTOgraphic and Shutterbug magazines. Currently she is the President of Jackie Augustine Consulting, a company focused on integrated media and marketing solutions. She is also a Member of the PMDA Board of Directors and Editor of the PMDA website.
Our Picture This! assignment this month was Pen and Ink, in which we asked readers to send us images that emulated a pen and ink drawing, that is, reducing the image content to line, texture, and form. Software makes it easy to convert an image file to just about any type of illustrative format, from oil paint to pastels and more. There are many ways to achieve the effect, but as with all images it’s how the content matches the technique that counts. Readers sent in all types of subject matter and achieved the effect in various ways, all of which show how malleable images are these days and how working with software can open up new ways of seeing and sharing images.
Tamron and Shutterbug magazine proudly announce the winners of the Tamron Nature Photography Contest.
Nature photography has long captured the hearts and minds of amateur and professional photographers dedicated to capturing images of the great outdoors. We received over 2,000 entries and selected three outstanding images.
Congratulations to all who entered and to the three winners who will each receive a Tamron lens.
Donna Pagakis - San Diego, California
“As I was leaving the park, I noticed this Great White Egret, preening itself on the reflecting pond. The lighting was magical, at the time of evening, two hours before sunset. I placed my camera on the tripod and used continuous shooting mode, to capture as many frames as possible. The RAW file was processed with Bridge, Photoshop, Photomatix and Nik Software.”
While visiting the small island of Kökar in the Åland archipelago in Finland, I found this weathered fishing boat. This old boat tells a story of many years ago when herring fishing on Kökar was in its prime. No longer in use, the boat reminds us of the rich history of the island when hardy fishermen led courageous lives on the sea. Photographing the boat in early morning light, I was able to capture the nuances of its story. Since my ancestors originated from here, the boat gave a glimpse into my own history.