While shooting waterfalls in North Carolina, I noticed the glowing reflection of the morning sun at my back. I quickly changed my position and captured this image. The majority of people in my area were facing a different direction, missing the beauty of the soft morning light on the slow-moving water upstream as it appeared on the opposite side of the stream from the falls. The morning light was impressive and little to no color boost was necessary to deliver this picture.
It is with profound sadness that we mark the untimely passing of Hilary Araujo. Mr. Araujo had been vice president of marketing for The Tiffen Company of Hauppauge, New York, since June of 2004. He established an unsurpassed record of accomplishment at Tiffen and over nearly 40 years of outstanding service and dedication to the imaging industry. His personal charm, warm and friendly demeanor, great sense of humor, and unstinting willingness to help others are but some of the sterling qualities that made him a man who was loved and admired by all who knew him. We at Shutterbug knew and worked with Hilary for many years and had always relied on him for honest, straightforward dealings and a personal warmth that made the relationship cordial and appreciated.
The Monterey Museum of Art presents Edward Weston: American Photographer, June 17-October 2, 2011. This exhibition is organized from major museum and private collections and will feature vintage prints of Weston’s most famous and admired photographs along with rare images not widely exhibited.
Our Picture This! assignment this month was “Art Filters,” those in-camera special effects processing scripts that seem to be all the rage in cameras these days. Rather than have users spend time with computer software these days, camera makers are incorporating some interesting tricks into their imageware. You can think of them as subsets of Scene modes, as shortcuts, as fun filters, or as preprogrammed image processing effects that go right from camera to memory card. Readers responded with a host of images that display many of the “art” options and special effects available today.
When we first saw these images we were struck with a strong sense of history, of our own nostalgia for scenes and places long gone, and overall how photographers should, to paraphrase Walker Evans, photograph with a sense of history in mind. Some of the photos from this collection have the almost eerie calm of the best of Atget, while others are akin to street scenes casually snapped that would later become treasured mementos of an age. We thank The Granger Collection and the Museum of the City of New York for allowing us to share some of these images with you.
Professional bull riding is classified as an extreme and dangerous sport in nearly any measure that you care to describe. The bulls are big and dangerous; the riders are small and fragile in comparison. I took this photograph of a bull rider literally moments after being bucked off in front of an indoor arena full of screaming fans. He rode for less than 8 seconds, and consequently his day was done. The bull won.
Follow That Elephant
While on a safari in the Serengeti of Tanzania we were tracking a family of cheetahs when we crossed a dry lakebed with these incredibly large and deepened footprints of an elephant. The asymmetrical pattern that emanated from the portion of a dried piece of driftwood almost looked as though it had been arranged for the shot in the middle of nowhere. Although we never did catch up with that elephant, the recorded scene of what I didn’t see left an indelible impression with me that transcends pretty much many of the animals I did see and document. —Marvin Seiger
This month’s Picture This! assignment was Painterly Backgrounds, the use of various photographic devices—namely depth of field—to create a field of color and design for a backdrop to the main theme. The technique not only removes what could be a distracting background but also brings the main subject more into the visual attention of the viewer. It also can be used to complement the color, shape, and design of the entire frame, adding to the emotional content of the image. Readers sometimes used their digital darkroom skills to enhance some of the effects (noted in captions), but, as with other assignments, we view image processing as something that can be used to emphasize the image from the camera, not obtain it entirely from software techniques.
Most every camera sold has a built-in flash but many times we don’t make use of this handy item, keeping the flash on Auto (which with Auto ISO these days might just boost the speed rather than activate the flash) or turning it off for fear that it might ruin the natural light component of our images. The Picture This! assignment this month was using a touch of fill flash to add something...
My wife and I were visiting Hwange National Park in Zimbabwe. The sun had just dropped below the horizon and we were preparing to return to Little Makalolo, our base camp, when I heard “thrashing” sounds that were unmistakably those of an elephant herd.
We could barely make out the silhouetted movements of the herd on the far side of the river. I knew not to use a...