Staff

Sort By: Post Date | Title | Publish Date
Filed under
Staff Posted: Aug 30, 2011 Published: Jul 01, 2011 58 comments
While shooting waterfalls in North Carolina, I noticed the glowing reflection of the morning sun at my back. I quickly changed my position and captured this image. The majority of people in my area were facing a different direction, missing the beauty of the soft morning light on the slow-moving water upstream as it appeared on the opposite side of the stream from the falls. The morning light was impressive and little to no color boost was necessary to deliver this picture.
Filed under
Staff Posted: Aug 16, 2011 Published: Jul 01, 2011 0 comments
The world is rich in symbols, some more apparent than others, but if you put yourself in a “graphics” frame of mind, as we asked readers to do for this month’s assignment, you’ll find more than your share of images to capture in the world around you. The nature of this assignment was to find abstractions, to use context merely as a frame and not a reference, and to find the image within the image where a graphic presented itself. In many cases the frame becomes a canvas and the image something that abstract expressionists would understand. While we did receive some composites for this assignment we favored images made “in the field” that used cropping and a “graphic eye” to make the shot.
Filed under
Staff Posted: Sep 06, 2011 Published: Jul 01, 2011 0 comments
It is with profound sadness that we mark the untimely passing of Hilary Araujo. Mr. Araujo had been vice president of marketing for The Tiffen Company of Hauppauge, New York, since June of 2004. He established an unsurpassed record of accomplishment at Tiffen and over nearly 40 years of outstanding service and dedication to the imaging industry. His personal charm, warm and friendly demeanor, great sense of humor, and unstinting willingness to help others are but some of the sterling qualities that made him a man who was loved and admired by all who knew him. We at Shutterbug knew and worked with Hilary for many years and had always relied on him for honest, straightforward dealings and a personal warmth that made the relationship cordial and appreciated.

Filed under
Staff Posted: Jun 16, 2011 Published: Jul 01, 2011 1 comments
July CoverOn The Cover
With summer upon us, we’ve dedicated this issue to nature and outdoor photography. No one exemplifies exploring the outdoors better than Josh Miller, who shot our cover photo of Elves Chasm while he was rafting the Colorado River at the Grand Canyon. To see more of his adventurous photos, see page 132. We also take an in-depth look at the top photo backpacks and sling bags as the importance of these traveling accessories cannot be overstated. Finally, we review the latest and greatest photo gear, from software to lighting equipment.

Filed under
Staff Posted: Sep 06, 2011 Published: Jul 01, 2011 0 comments
The Monterey Museum of Art presents Edward Weston: American Photographer, June 17-October 2, 2011. This exhibition is organized from major museum and private collections and will feature vintage prints of Weston’s most famous and admired photographs along with rare images not widely exhibited.
Filed under
Staff Posted: Jul 14, 2011 Published: Jun 01, 2011 2 comments
Our Picture This! assignment this month was “Art Filters,” those in-camera special effects processing scripts that seem to be all the rage in cameras these days. Rather than have users spend time with computer software these days, camera makers are incorporating some interesting tricks into their imageware. You can think of them as subsets of Scene modes, as shortcuts, as fun filters, or as preprogrammed image processing effects that go right from camera to memory card. Readers responded with a host of images that display many of the “art” options and special effects available today.
Filed under
Staff Posted: Jul 21, 2011 Published: Jun 01, 2011 0 comments
When we first saw these images we were struck with a strong sense of history, of our own nostalgia for scenes and places long gone, and overall how photographers should, to paraphrase Walker Evans, photograph with a sense of history in mind. Some of the photos from this collection have the almost eerie calm of the best of Atget, while others are akin to street scenes casually snapped that would later become treasured mementos of an age. We thank The Granger Collection and the Museum of the City of New York for allowing us to share some of these images with you.
Filed under
Staff Posted: Jul 28, 2011 Published: Jun 01, 2011 0 comments
Professional bull riding is classified as an extreme and dangerous sport in nearly any measure that you care to describe. The bulls are big and dangerous; the riders are small and fragile in comparison. I took this photograph of a bull rider literally moments after being bucked off in front of an indoor arena full of screaming fans. He rode for less than 8 seconds, and consequently his day was done. The bull won.
Filed under
Staff Posted: Jun 08, 2011 Published: May 01, 2011 20 comments
Follow That Elephant
While on a safari in the Serengeti of Tanzania we were tracking a family of cheetahs when we crossed a dry lakebed with these incredibly large and deepened footprints of an elephant. The asymmetrical pattern that emanated from the portion of a dried piece of driftwood almost looked as though it had been arranged for the shot in the middle of nowhere. Although we never did catch up with that elephant, the recorded scene of what I didn’t see left an indelible impression with me that transcends pretty much many of the animals I did see and document.
—Marvin Seiger
Scottsdale, AZ
Filed under
Staff Posted: Jun 14, 2011 Published: May 01, 2011 5 comments

This month’s Picture This! assignment was Painterly Backgrounds, the use of various photographic devices—namely depth of field—to create a field of color and design for a backdrop to the main theme. The technique not only removes what could be a distracting background but also brings the main subject more into the visual attention of the viewer. It also can be used to complement the color, shape, and design of the entire frame, adding to the emotional content of the image. Readers sometimes used their digital darkroom skills to enhance some of the effects (noted in captions), but, as with other assignments, we view image processing as something that can be used to emphasize the image from the camera, not obtain it entirely from software techniques.

Pages

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading