Lighting
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Lighting
Steve Bedell Oct 01, 2004 0 comments

Photos © 2004, Steve Bedell, All Rights Reserved

Through the years, I've experimented with many different styles of light and many different light modifiers. There's an old saying that "light is light." That's true, but what a complicated...

Lighting
Jack Neubart Oct 01, 2008 4 comments

I've worked with all kinds of Internet photo studios over the years. Most consist of a light tent of sorts, with or without lights, and the materials used are translucent fabric or plastic. But I have never come across anything like the MyStudio 20 until now. It is definitely different. So, does different make it better, or even as functional as other tabletop setups?

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Lighting
Steve Bedell Oct 01, 2002 0 comments

Many years ago when I opened my first studio, I visited another photographer who had been in business for many years. When I saw his camera room, I noticed he had a big "X" on the floor in a few...

Lighting
Jack Neubart Nov 01, 2001 0 comments

Multiple-flash lighting is easier than ever with today's dedicated flash technology.

When in Madeira, while working on my Kodak Electronic Flash book (Silver Pixel Press), I found myself...

Lighting, Pro Techniques
Steve Bedell Mar 01, 2011 1 comments

Most of us know about making outdoor portraits using the small fill flash on our cameras. But these photos have a “look” that tells everyone they were “made with flash.” They have a flat, often harsh look to them. A more sophisticated technique that can be accessed with many new cameras is the use of off-camera flash; you can even use multiple units controlled directly from the camera. I use...

Lighting
Jay Abend Oct 01, 2004 0 comments

Photos © 2004, Jay Abend, All Rights Reserved

The look of flash photography has been a problem for photographers for decades. As we migrated from huge silver reflectors stuffed with flash bulbs to smaller and more portable electronic flash units, the look of on-camera...

Lighting, Outdoor/Travel
Steve Bedell Aug 01, 2001 0 comments

I live on the East Coast, and I mean right on it. My studio is located about 8 miles from the Atlantic Ocean. People who live here love the beach, and of course the tourists who descend like swarming flies on a slain wildebeest every...

Lighting
Norm Haughey Sep 01, 2008 0 comments

The impact and success of a studio portrait is often the combined result of lighting, composition, body language, lens choice, camera angle, clothing, color, texture, and even luck. With a few portrait techniques under your belt, however, your luck will improve dramatically. There are many portrait-making methods that can help you develop your own style over time and ultimately...

Lighting
Jason Schneider Aug 01, 2005 0 comments

If there's one thing that makes pictures shot by leading professional photographers stand out from the pack, it's lighting. But while it's relatively easy to get precisely controlled lighting effects in a well-equipped studio, these pros have to deliver consistent studio-quality results in the field--whether they're shooting on location in a dark...

Lighting
Joe Farace Nov 30, 2012 1 comments
The field of studio lighting equipment is a large one and advanced amateur and professional photographers have many different kinds of products to choose from. There are self-powered monolights, traditional power pack and head systems, or continuous light sources that let you see in real time the lighting effect that’s produced. The kind of photographer you are and the type of images you make determines the lighting system that best fits your working style and Dynalite, Interfit, and Rime Lite are three companies that produce systems for every photographic discipline.
Lighting, Portraiture
Monte Zucker Apr 01, 2002 0 comments

Black On Black Is Easy
Still under cover, I photographed the church's Father Frank. I photographed him in black robes against a black background. My aim was to show detail throughout the portrait and separation between his robe and the background.

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Joe Farace Nov 15, 2012 Published: Oct 01, 2012 1 comments
One of the first lighting kits I ever owned was a set of Smith-Victor Adapta-Lights that had screw-base sockets for photoflood lamps. Son of a gun, the company still offers Adapta-Lights as an entry-level solution for beginning portrait photographers who want to work with hot lights. On the other hand, if you prefer making portraits using electronic flash, Smith-Victor’s three-light FL700K Strobe Light Kit may be just what you’re looking for.

The FL700K Strobe Light Kit that I tested is designed for amateur photographers and aspiring pros and contains two FLC300 (320 ws) FlashLite and one 110i (110 ws) FlashLite monolights. The FLC300 monolights offer continuously variable flash power settings, a test button, a ready light, and an optical slave for wireless triggering and have an umbrella stand adapter that’s compatible with 3/8” through 5/8” light stand posts. To expand the kit’s capabilities, Smith-Victor offers more than 100 accessories and light modifiers for the FLC300 monolights, including softboxes, reflectors, snoots, grids, and barn doors. The 110i monolight has a full- or half-power setting, optical slave, small built-in reflector, and umbrella mount. When used together, all three lights give you lots of flexibility for lighting studio or on-location portraits.

Lighting
Jack Neubart Oct 01, 2005 2 comments

Studio lighting often carries with it the stigma of high cost and high demands (on electricity and learning curve), but that is not necessarily the case. Studio lighting is only as complicated as you make it. You can buy an inexpensive set of lights that will do all you need, with a short learning curve, without fear of shorting circuits around the house. Augment these lights with...

Lighting, Pro Techniques
Joe Farace Oct 01, 2009 3 comments

Much of my portrait and fashion photography is done on location, but living in a place like Colorado the models (and the photographer, too) just aren’t always in the mood to stomp around in the cold weather and snow. That’s when a studio comes in handy. Some photographers just prefer having complete control over the lighting. Instead of the hassle and cost of renting a studio, why not...

Lighting, Outdoor/Travel
Jay Abend Mar 01, 1999 0 comments

If you've been reading any of my articles recently, you're no doubt aware that I like lighting gear. I especially like studio flash generators, big pro flash lamp heads, heavy-duty movie set style Matthews "C" stands, giant...