Lighting

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Steve Nichols Posted: Oct 01, 2003 0 comments

It started back in the old days of Hollywood. The cameramen and directors needed to devise lighting schemes that would create a realistic, three-dimensional look on film. Their solution was what they call "triangle" lighting.

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Jay Abend Posted: Jul 01, 2000 0 comments

I have always considered myself a pack and head guy. You know what I mean--big powerful studio flash generators, long cables, and fan-cooled light heads. Growing up I always thought of a pro photographer as the guy with the view camera...

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Steve Bedell Posted: Oct 01, 2004 0 comments

Photos © 2004, Steve Bedell, All Rights Reserved

Through the years, I've experimented with many different styles of light and many different light modifiers. There's an old saying that "light is light." That's true, but what a complicated...

Cynthia Boylan Posted: Aug 20, 2014 0 comments

Metz has just launched the latest addition to its flash system lineup: the new Mecablitz 64 AF-1. Offering an impressive guide number of 64 (210 feet) at ISO 100/21˚, it has a large color touch display, an Automatic Flash mode with 12 f/stops, a Manual Flash mode with 25 partial light levels and a Remote TTL mode.

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Jack Neubart Posted: Oct 01, 2008 4 comments

I've worked with all kinds of Internet photo studios over the years. Most consist of a light tent of sorts, with or without lights, and the materials used are translucent fabric or plastic. But I have never come across anything like the MyStudio 20 until now. It is definitely different. So, does different make it better, or even as functional as other tabletop setups?

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Steve Bedell Posted: Oct 01, 2002 0 comments

Many years ago when I opened my first studio, I visited another photographer who had been in business for many years. When I saw his camera room, I noticed he had a big "X" on the floor in a few...

Cynthia Boylan Posted: Sep 25, 2014 1 comments

A great tool to have in your gear bag or pocket when shooting at night or in dark areas in the rugged outdoors, the Pelican ProGear 3310PL LED flashlight flashlight was created to be tough, reliable and practical.

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Jack Neubart Posted: Nov 01, 2001 0 comments

Multiple-flash lighting is easier than ever with today's dedicated flash technology.

When in Madeira, while working on my Kodak Electronic Flash book (Silver Pixel Press), I found myself...

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Jim Zuckerman Posted: Apr 24, 2014 2 comments
On-camera flash has a bad reputation—and for good reason. In fact, many photographers are turned off to using flash altogether because they don’t like the look of pictures taken when the flash is sitting on the camera. The images look flat, dimensionless, and many subjects look “pasty” with this kind of lighting.
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Steve Bedell Posted: Mar 01, 2011 1 comments

Most of us know about making outdoor portraits using the small fill flash on our cameras. But these photos have a “look” that tells everyone they were “made with flash.” They have a flat, often harsh look to them. A more sophisticated technique that can be accessed with many new cameras is the use of off-camera flash; you can even use multiple units controlled directly from the camera. I use...

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Jay Abend Posted: Oct 01, 2004 0 comments

Photos © 2004, Jay Abend, All Rights Reserved

The look of flash photography has been a problem for photographers for decades. As we migrated from huge silver reflectors stuffed with flash bulbs to smaller and more portable electronic flash units, the look of on-camera...

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Steve Bedell Posted: Aug 01, 2001 0 comments

I live on the East Coast, and I mean right on it. My studio is located about 8 miles from the Atlantic Ocean. People who live here love the beach, and of course the tourists who descend like swarming flies on a slain wildebeest every...

Steve Bedell Posted: Aug 01, 2014 0 comments

We all know that dedicated flash units are amazing tools. They allow us to use not just one but several flashes with amazing control over the output and have the math figured out for us in the bargain. But unless we modify the light in some way we are left with a very small light source that can be very harsh, and while that may be fine in some cases, there are times when we need to modify the light to soften and shape it. With the Profoto RFi Speedlight Speedring, you now have the ability to do just that using the many modifiers available to you in the Profoto arsenal.

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Norm Haughey Posted: Sep 01, 2008 0 comments

The impact and success of a studio portrait is often the combined result of lighting, composition, body language, lens choice, camera angle, clothing, color, texture, and even luck. With a few portrait techniques under your belt, however, your luck will improve dramatically. There are many portrait-making methods that can help you develop your own style over time and ultimately...

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Jason Schneider Posted: Aug 01, 2005 0 comments

If there's one thing that makes pictures shot by leading professional photographers stand out from the pack, it's lighting. But while it's relatively easy to get precisely controlled lighting effects in a well-equipped studio, these pros have to deliver consistent studio-quality results in the field--whether they're shooting on location in a dark...

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