Lighting
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Lighting
Jim Zuckerman Feb 24, 2014 0 comments
A failed flash photograph has an exposure in which the subject is too light or too dark. In addition, the foreground is too light—in fact, it’s lighter than the subject—and therefore distracting. In some circumstances, very dark or black backgrounds behind a subject are not desirable, and this can be considered a failure as well.
Lighting
Joe Farace Nov 01, 2006 201 comments

Every photographer knows about visible light being used to capture photographic images digitally or with film, but there are other kinds of light that we can't see. Light with wavelengths from approximately 700 and 900nm (nanometers) is called infrared light. Interestingly, this band of infrared light is a thousand times wider than that of visible light, but is invisible to...

Lighting
Tom Fuller Nov 01, 1999 0 comments

While on-camera flash is certainly convenient, and sometimes the only way to capture candid people shots, its downside is the effect known as redeye. This demonic glow in the subject's eyes is the result of nearly point source and on-axis light entering the...

Lighting, Outdoor/Travel
Frank Weston May 01, 2004 0 comments

In the Western US, sunrise and sunset photography can often be especially challenging because there aren't any clouds. Without clouds or haze, the sky simply fades from a very pale, burnished blue to gray. No drama. No flash of color. No spectacular...

Lighting
Jim Zuckerman Oct 01, 2006 4 comments

One of my favorite times to shoot landscapes is when a thick fog has descended on the land and engulfed everything in sight. It is a magical thing to experience, and for fine art nature photographers it doesn't get any better. We all love to shoot scenes with brilliant, saturated colors and crystal clear air typical of well-known national parks like Bryce Canyon and Monument...

Lighting
The Editors Sep 01, 2001 0 comments

This year, 2001,
marks the 75th year that F.J. Westcott has been doing business. Known
today as a leader in manufacturing light modification equipment, the company
started out as an umbrella company, wholesaling to dry goodssto...

Lighting
David Wade Oct 01, 2002 0 comments

Spain offers a veritable feast of photographic subject matter, with its wide variety of people, scenic countryside, castles, coastline, and architecture. You can choose...

Lighting, Outdoor/Travel
Dave Howard Dec 01, 2001 0 comments

No matter what tourist-saturated locale I find myself at, I can't help but notice all the cameras getting packed away just before sundown (unless, of course, there's a spectacular sunset brewing). If water, in its myriad forms...

Steve Bedell Oct 01, 2003 0 comments

My strong point has always been natural light. When clients call me about weddings, I tell them I am a "natural light specialist." I love shooting outdoor portraits and have trained myself to "see the light" in the locations that...

Lighting
Robert E. Mayer Nov 01, 2001 0 comments

Correct lighting is the key ingredient to producing any photographic image worth a second glance. Outdoors you don't have much control over the light other than to possibly use some type of reflector, diffuser, or flash fill. But...

Lighting
Jay Abend Oct 01, 2000 0 comments

If I've said it once I've said it a thousand times, photography is all about light: where the light is coming from, how it hits your subject, how you expose your film to capture it, etc. Since my profession involves getting the right kind of light...

Lighting
Jay Abend Nov 01, 2000 0 comments

There was an era long before my time when a pro photographer shot with big, heavy, hot tungsten lighting. In the 1930s, '40s, and '50s, hot lights were the state of the art. Giant 1k, 2k, and 5k tungsten fixtures from Hollywood suppliers flooded the...

Lighting
Joe Farace Sep 01, 2000 0 comments

In the February 1999 story "Pro Tips For Platinum Printing," I mentioned there were two possible Ultraviolet (UV) light sources that could be used for platinum and other alternative contact printing processes. In that issue, landscape photographer...

Lighting
Mike Matzkin Jun 01, 1999 0 comments

The modern automatic electronic flash system can be a mind trap. You focus, aim the flash at the ceiling or directly at the subject, press the shutter release, and it's virtually a cinch that you'll get reasonably well lit images--with no...

Book Reviews, Lighting
Kevin Kubota Oct 12, 2012 Published: Sep 01, 2012 14 comments
Kevin Kubota is an internationally recognized speaker who has presented programs for every major photographic convention in the US. His Kubota Image Tools have won numerous “Hot One” awards and his Digital Photography Bootcamp workshops, and book by the same name, have been recognized as high energy creative environments in which photographers come away inspired and educated about the great creative potential of their work. In his new book, Kevin Kubota’s Lighting Notebook (2011, John Wiley & Sons, Inc., ISBN: 978-1-118-03510-8), Kubota shares creative lighting techniques that help create mood, define the subject, and give unique dimension to your images. In this excerpt we show but two of the 101 teaching lessons in this handsomely done and fully illustrated 298-page book.—Editor