George Schaub

Sort By: Post Date | Title | Publish Date
George Schaub  |  Apr 05, 2010  |  0 comments

The Leica X1 looks like an analog camera. It has a compact body with a high quality finish and offers two setup dials on the top. If both dials are set to A-mode the camera will set aperture and shutter speed value automatically. If the photographer changes the aperture setting manually to a value between f2,8 and f16 the camera will work in aperture priority mode and set up shutter speed automatically. Similarly, a change of the shutter speed dial and setting the aperture-dial to A will switch the Leica X1 into “shutter speed priority mode. It’s a very efficient and easy system. The camera doesn’t offer any scene modes.

The X1 is Leica’s newest compact camera. It is based on an APS-C-sized image sensor and a lens system with fixed focal length with 36mm (35mm film equivalent). The camera has a small and compact body, offers easy handling and creates very crisp images.

...

George Schaub  |  Mar 01, 2005  |  0 comments

There are times when we have images that are too dark or too light and often
reject them out of hand. But the values only need to be adjusted to bring what
might have sat in shadow into the light. We can do that selectively with certain
tonal areas in the print or globally--that is, on the entire image. This
web how-to covers revealing what might sit in the shadows and deals with a very
simple global adjustment. The work is done here in Photoshop, but many other
image manipulation programs have similar controls.

...

George Schaub  |  Aug 29, 2006  |  0 comments

Nikon's New D80 Digital SLR

by George Schaub



The new Nikon D80 replaces the D70 and D70s, and becomes Nikon's mid-level
DSLR aimed squarely at photo enthusiasts and advanced amateurs. Having had a
brief time with the camera at a one-on-one session with Nikon, there are many
aspects that are marked improvement...

George Schaub  |  Nov 09, 2004  |  0 comments

While you can choose enhanced color saturation when using your digital camera
via the Menu, this choice generally adds saturation to all colors at once. This
might work fine for some subjects, but there are many ways to "juice up"
selective colors later in the software. We'll work with two controls here,
Hue/Saturation and Selective Color, both used as Adjustment Layers.


1

...

George Schaub  |  May 31, 2011  |  0 comments

Imagine yourself walking into a room where there are numerous objects covered with small mirrors. The mirrors follow the form and shape of the objects. The walls of the room have a slot that goes continuously around the entire room. Behind the slot is a light that shines into the room and that travels the entire distance, from wall to wall. As the light travels it passes through numerous color filters built into the slot. The light reflects off the mirror facets on the objects. You can also move throughout the room and observe the objects and the light by standing with the light coming in over your shoulder, from the side or even standing behind the objects as the light hits them.

George Schaub  |  Apr 06, 2009  |  0 comments

There was time when those seeking super-wide lenses for APS-C size sensor cameras didn’t have much choice, but new light gathering systems that distribute light evenly from lens to sensor, as well as new optical formulas from camera makers and independent lens manufacturers, have changed that point of view. The latest in this welcome new class of glass is from Tamron, with their 10-24mm f/3.5-4.5 offering. Priced at around $500 (street) and weighing in at about 14 oz., the Tamron 10-24mm is useable for cameras that require “motor in the lens” operation, such as the Nikon D40X, on which this lens was tested.  The DiII designation tells you that this lens is for digital SLRs with APS-C sensors.

 

 

...

George Schaub  |  Nov 29, 2005  |  0 comments

Today's cameras are microprocessors with lenses. Most of us know how
to change color, sharpness and contrast, and even ISO settings, for every frame
we shoot, but did you know that you can also change how your camera's
dials and buttons work? By using Custom Function settings you can alter the
function of all those dials and buttons and personalize them to the way you
work, or to each unique shooting situation. When the camera comes out of the
box it has certain "default" settings, those chosen by the camera
manufacturer. While there is a certain wisdom in the defaults, they are not
necessarily the best way for your style or shooting needs.

...

George Schaub  |  Jun 27, 2006  |  0 comments

Photokina's New Look

by George Schaub

Professional and avid photographers looking to travel to Cologne, Germany will
notice some changes when they prepare for their trip to photokina 2006, Sept.
26 -- Oct. 1, 2006 in Cologne, Germany. Photokina veterans should quickly
forget about the previous hall numbersystem...

George Schaub  |  Aug 30, 2005  |  0 comments

The promise of digital imaging is that you can get one-touch corrections on
your photographs, making it easy to create the best images you can from every
picture you take. The phrase: "I won't worry about white balance,
exposure or contrast, etc....I'll fix it in Photoshop" is commonly
heard, but it isn't always the best course. If you shoot in Raw mode you
can fix anything, even exposure compensation, later, but not everyone wants
to go through the steps of working with Raw converters and all those sliders
and options. That's where the supposed magic of "auto" fixes
come into play, and yes, there are times when it can do wonders. Today, cameras
even have auto red-eye fix and amazing adjustments for backlighting problems.

...

George Schaub  |  May 08, 2007  |  0 comments

The versatility of the Tamron 18-250mm lens is evident in both close
focusing and when gathering in distant subjects. The crisp edges...

Pages

X