George Schaub

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George Schaub  |  Nov 22, 2004  |  0 comments



Remember the shoebox, the place where all those snapshots were stored? It was
a great tradition to take a roll of film, share it with family and friends and
then dutifully deposit the pictures and negatives into a cardboard container that
would be stocked away on some closet shelf. Well, digital photography hasn't
changed that great tradition, but nowadays the "shoebox" is more likely
filled with CDs or DVDs that hold the pictures--only to be stacked away in that
same closet next to that snapshot shoebox.
George Schaub  |  Feb 01, 2005  |  0 comments

If you've ever been walking down the street and a picture caught your
eye, but had no camera to capture the moment, then the small, shirt-pocket size
digicams might just be item you're seeking. A number of companies, including
Pentax, Casio and Minolta have already introduced such models, each with their
own unique feature sets. Now, Contax, a name renowned for exquisite cameras
and excellent lenses, has jumped into the fray with their own version, the U4R,
a 4-megapixel camera sporting a Carl Zeiss Vario-Tessar T* lens. Those familiar
with the amazing image clarity of this line of lenses will immediately recognize
the name; those unfamiliar with it can be assured that it is a legendary name
in optics. The camera has just under a 3x optical zoom lens, delivering the
equivalent of 38-115mm in 35mm format. There's also a digital zoom if
you need it, delivering over 400mm, but as with many digital zooms it's
really a crop into the frame, and will not deliver the quality of the prime
optics.

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George Schaub  |  Sep 27, 2005  |  0 comments

The
Sprint PCS Samsung Multimedia Phone MM-A800



Much ado has been made of late of how camera phones will gut the lower-end digicam
market and how everyone will dump their 1-3MP digicams for these amazing multimedia
products. Having shot with a sub 1-megapixel phone a year back I shrugged and
moved on, deciding it was a fun toy that some might find useful but that image
quality was poor, even when compared with the lowliest of blister-pack dedicated
cameras. Word has gotten around that new, higher-megapixel phonecams are coming,
with 7 MP being the figure touted on one model available now overseas. In addition,
we just got word that Kodak is finally going to release their EasyShare One,
subject of a press conference last January, which is said to be a camera first
and then a web or phone connecting pictuire sender second. With all that in
mind I was intrigued by the new Samsung 2MP camphone sent to us by the folks
at Sprint, one that links up with Sprint's PCS Picture mail service.

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George Schaub  |  Oct 27, 2004  |  0 comments

With the arrival of digital recording and software-based post-processing, techniques
for achieving perfect panning shots and 360° panoramic views are attracting
a lot of attention in the photographic world. The new Novoflex Panorama-VR system
is said to meet the demands of professional photographers for an easy-to-use
adjuster system to rotate a camera 360° around a nodal point.

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George Schaub  |  Mar 15, 2005  |  0 comments

Shutterbug Forums create an online community for information, questions and
debate on topics of interest to photographers today. A wide range of topics
are covered, including various camera User Groups, 35mm and Digital SLR photography,
camera collecting, Help desks and more. The Forums are also a great way to get
in touch with Shutterbug writers and editors as well as professional photographers
from around the world. Many of these experts will be moderating focused discussions,
as well as participating in all the Forums at the Shutterbug site.

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George Schaub  |  Mar 29, 2005  |  0 comments

One of the reasons that many people are getting into making prints at home
these days is that inkjet prints are simpler to make and more permanent than,
in many cases, photographic prints (dye based projection, that is.) With recent
advances in ink and paper technology from companies such as Epson and HP we
now see the potential, given proper storage, of digital prints lasting more
than 100 years. Even snapshot size prints, according to Wilhelm Research, from
portable printers like the popular and relatively diminutive PictureMate from
Epson can last three generations or more. And most of the newer printers don't
even require the intermediary of the computer to make very good looking prints.

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George Schaub  |  Oct 18, 2004  |  0 comments

Elinchrom has introduced the Style 400 BX portable compact flash units. Two new
inexpensive kits, street priced at $995 and $1098, incorporate the latest innovations
in Multivoltage technology with all the accessories necessary to plug-in anywhere.



Featured in both kits, the EL 400 BXECON and EL 400 BX KIT, is the new Style BX
400 Multivoltage with automatic voltage detection from 90 V--260 V, a rapid
recycle time of 1 sec. in a lightweight monobloc weighing only 4.3 lbs.. Additionally,
both kits offer the new digitally stabilized 400BX monoblocs along with all the
lighting equipment and accessories necessary for capturing the most demanding
images while at the same time giving the photographer the ability to travel quick
and light. The EL 400BXKIT adds two Manfrotto light stands and a convenient Stand
Bag.



The new Style 400 BX Multivoltage compact flash unit features power ranges of
25 - 400 Ws and has the ability to work with 5 f-stops, ranging from 1/16 to 1/1.
The 400 BX is lightweight, weighing only 4.3 pounds (1.95 kg) and is compact for
in or out of studio use, with dimensions of 21 x 14cm (length x diameter). The
new head kit includes a plug-in omega flashtube precisely positioned 20 mm from
the internal reflector. The positioning helps avoid uneven illumination that often
results from non-concentric or U-shaped flashtubes.



Web: www.bogenimaging.us


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George Schaub  |  Aug 30, 2005  |  0 comments

The promise of digital imaging is that you can get one-touch corrections on
your photographs, making it easy to create the best images you can from every
picture you take. The phrase: "I won't worry about white balance,
exposure or contrast, etc....I'll fix it in Photoshop" is commonly
heard, but it isn't always the best course. If you shoot in Raw mode you
can fix anything, even exposure compensation, later, but not everyone wants
to go through the steps of working with Raw converters and all those sliders
and options. That's where the supposed magic of "auto" fixes
come into play, and yes, there are times when it can do wonders. Today, cameras
even have auto red-eye fix and amazing adjustments for backlighting problems.

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George Schaub  |  Dec 07, 2004  |  0 comments

Every month in Shutterbug we publish photographs from readers based on an assignment
published in a previous month's issue. We get hundreds of photographs
from readers all around the world and unfortunately we are limited to publishing
just a small fraction of the work we receive. We've had topics including
"Black and White in Color", "Silhouettes" and "Historical
Reenactments." Our purpose in creating this section in the magazine is
to create a visual forum for readers and to challenge them to fulfill assignments.
It's always a delight to open the packages we receive. I know the thrill
I got when my fist photo was published, and my hope is that the same excitement
is shared by those whose images we select to publish each month.

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