Joe Farace

“The ink is black… The world is black, the world is white…”—David Arkin for Three Dog Night

Because it pays homage to a long tradition in photography, this black-and-white-themed issue has always been one of my favorites. That’s why I decided to devote this month’s column to photographers who capture monochrome images and, like photography...

If you’re looking for European build quality at a reasonable price, Multiblitz’s series of Profilux monolights are a good place to start. Built in Germany, the two Profilux models—250 and 500 watt second versions—are the perfect tool for the serious amateur or established professional and feature fast recycling times, short flash durations, and consistent color temperatures. The Profilux 250 has a five-stop power range that’s adjustable in 1/10-stop increments with a modeling lamp that delivers an expected service life of 2000 hours. The Profilux 500 delivers all of the same features as the 250 but with twice the output power.

As a student at the Maryland Institute College of Art, I attended a class on color and my very first assignment was landscape photography. I wasn’t then or am I now a serious landscape photographer, but as a serious student I developed a set of personal guiding principles on the “what” and “how” of photographing landscapes that I still follow today. These four principles are not cast in concrete and are presented here only as guidelines for your own explorations in landscape photography.

It's not just hardware but software that's fueling the digital imaging revolution. Even the firmware inside cameras and printers is really software that tells the device what to do and how to do it. Adobe's Photoshop, which has become a virtual economy unto itself, generating its own trade shows, software add-ons, and an entire book industry has gotten so...