Joe Farace

There’s no more iconic focal length in Nikon folklore than 105mm. I remember the day in the 1980s when I purchased the legendary Nikkor 105mm f/2.5 lens (at prices that seem ridiculously low these days) from Denver’s Robert Waxman Camera and thought I’d finally made it. I felt some of that same rush of excitement when I picked up the new AF-S Nikkor 105mm f/1.4E ED lens ($2,196). While designed for FX (full frame) Nikon F-mount SLRs, it can also be used on their DX cameras that use APS-C-sized sensors, where it produces a 157.5mm equivalent field of view.

When Nikon launched the all-new entry-level D3000, they took the time to freshen the D300 with—what else—video capability, adding the “s” suffix, as is their naming habit.

The Nikon N90s was the first autofocus 35mm SLR that I owned and I have many fond memories of using and capturing film images with that camera.

The noise that appears in digital photographs is the visual equivalent of the static you hear in radio signals. Most digital cameras add some level of noise to captured images.