Joe Farace

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Joe Farace  |  Nov 01, 2004

All Photos © 2004, Joe Farace, All Rights Reserved

I love cars (see my website, www.joefaraceshootscars.com) but I also like cool, compact cameras. Unlike the Ferrari Digital Model 2003, which was simply an expensive Olympus (http://www.olympusamerica.com"...

Joe Farace  |  Feb 04, 2014  |  First Published: Dec 01, 2013

Lester A. Dine invented the ringlight for making dental photos in 1952 but today people use them for all kinds of photography. A ringlight is a circular light source that surrounds the optical axis of a lens causing light to hit the subject from different angles, producing soft shadows in much the same manner as a light bank. When photographing people, the unique way that a ring flash renders light also produces a shadowy halo around the subject that’s much beloved by fashion photographers. I use a small ring flash to photograph butterflies, but if you want to photograph people, to paraphrase Jaws Chief Brody, “You’re gonna need a bigger light.”

Joe Farace  |  Sep 20, 2013  |  First Published: Aug 01, 2013

LEDs may represent the future of studio lighting but a number of the currently available options come with a caveat or two for the new professional or aspiring pro. Some LED solutions are affordable but may be too physically small for efficient use in a studio, or they may be large enough but too expensive for the shooter who just wants to dip their toes into the LED waters. Measuring 14x7.5x2.75” and costing less than $200, Flashpoint’s 500C LED Light appears to be a good solution for the LED newbie who wants to see what all the fuss is about.

Joe Farace  |  Apr 26, 2013  |  First Published: Mar 01, 2013

The important characteristics of any studio lighting system are the quantity, quality, and color of the light they produce. Other factors such as recycle time, type of output control, build quality, and the ability to accept accessories may be crucial, but for many of us the most essential element is price. I was impressed by previous Flashpoint monolights (April, 2012, issue of Shutterbug) because they’re rugged, dependable, and significantly, for the advanced amateur and aspiring pro, inexpensive. Now Flashpoint has introduced a new family of monolights—the DG series—that builds upon all of the positive aspects of previous models and takes them in a new direction.

Joe Farace  |  May 14, 2012  |  First Published: Apr 01, 2012

A monolight is a self-contained studio flash that consists of a power supply, flash head, and modeling light wrapped up inside a single housing. Monolights are typically powered by AC current but there are times on location when an electrical outlet may not be so conveniently located and long extension cords can create safety hazards, even when securely fastened down. I’ve had people trip over taped cords and believe me, it can ruin your day. That’s why a new breed of monolights, such as Adorama’s Flashpoint II monolights, offer a DC option with a battery pack when you might be out standing in a field or, at one time during my tests, in a big parking lot. A switch lets you choose between AC or DC power provided by a dedicated Ni-MH battery pack that measures 7x7x3” and weighs 2.65 lbs.

Joe Farace  |  Dec 01, 2009

“‘Twas Christmas told the merriest tale…”—Sir Walter Scott

There is no doubt that photo-sharing websites such as Flickr (www.flickr.com), along with iPod and iPhone albums, have changed the way we view photographs. Wedding photographers tell me one unintended consequence of providing online proofing is that...

Joe Farace  |  Aug 01, 2010

“The review in the paper said, ‘the aesthetic subtext of his work is the systematic exposure of artistic pretension.’ I thought I was just taking pictures.”—Elmore Leonard

My Flickr page (www.flickr.com/photos/joefarace) contains images I’m currently shooting, some of which are rounded...

Joe Farace  |  Jan 01, 2011

“You just say the words and we’ll beat the birds down to Acapulco Bay…”—Sammy Cahn & Jimmy Van Heusen

One suggestion that I often make to workshop attendees is that they can always improve the impact of their photographs by simply changing their point of view. When space and conditions permit, I suggest using a ladder because it gives you the ability to...

Joe Farace  |  Oct 05, 2011  |  First Published: Aug 01, 2011
You don’t always need a lens to make photographs. When I was a student at the Maryland Institute College of Art, our instructor Jack Wilgus had all his students make their own pinhole cameras and shoot images with them. I took the easy way out and used a Quaker Oats box and used photographic paper cut into a circle to fit the box as my capture media. My homemade camera produced round, negative images that I kidded myself into believing echoed the style of early photographs but now, as with many things photographic and not, I know better. Yet one thing remains: you don’t need a lens to make photographs. Sure, many new SLRs, such as the Olympus E-30 that I tested (April, 2009, issue of Shutterbug), have a “pinhole” filter but the camera itself uses a lens and internal software to create the look of the real thing. But shooting film in a real pinhole camera brings back that very “ah-ha” that Ernst Haas was talking about.
Joe Farace  |  Jul 01, 2010

“Thanks to the Interstate Highway System, it is now possible to travel from coast to coast without seeing anything.”—Charles Kuralt

The most important secret I can share with you about travel photography is that you should not buy a new camera or lens just before leaving for Kathmandu, Machu Picchu, or even Boise. The next most essential...

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