As a child, I clearly remember my father taking Kodachrome images of my sister and I in the snow. I always associated childhood winter 35mm slides with the blue cast they possessed. Not understanding color temperature, I assumed photos were always blue because it was cold outside. Summer images were understandably warmer looking.
Swiss photographer Sebastian Magnani’s latest photo project is pure trash, which is exactly the point. Titled “Trash Heroes,” it looks at what we, as humans, decide to throw away and why.
It’s welcome news to any photographer when the look of their images becomes a distinct, signature style. That’s exactly what has happened to Benny Migliorino, whose specialty is environmental and location portraits. “A lot of people say that what I’ve become known for is dramatic lighting,” Migliorino acknowledges, “but I didn’t set out to be known for that—it’s just the way I like to light, and the way I want my photographs to look.”
Good photographers are said to have a good “eye” that distinguishes them from other photographers. There’s no better way to understand this than to see how several very good photographers photograph the same subject. A case in point is a new exhibition of photographs of Marilyn Monroe titled “Inoubliable Marilyn” (“Unforgettable Marilyn”) at Paris’s La Galerie de l’Instant (December 12, 2014-February 25, 2015).
Giving a more modern twist to tradition, a team of digital imaging specialists from the Smithsonian Institute created a 3D portrait of President Barack Obama using eight high-resolution sports cameras, six wide-angle cameras, and 50 custom-designed LED lights.
Beware of these popular (and rightfully awesome) compact camera features that can ruin your holiday pics. Here are some tips about outsmarting technology to improve your photos.
“You can’t go to a place like that and not be aware of the symbolism all around you,” Robert Rathe says of the northern Israeli town of Safed, where he spent a day exploring and looking for photographs.
Widely regarded as “a photographer’s photographer,” Gregory Heisler has been described as having “the mind of a scientist, the heart of a journalist, and the eye of an artist.” Known for his candor, humor, and generosity as a teacher, he is able to convey the most complex photographic concepts simply and elegantly. In the long-awaited Gregory Heisler: 50 Portraits (Amphoto Books, October 22, 2013, $40) he takes us on a guided tour of his innovative editorial images and iconic portraits, engagingly illuminated by his insightful and highly personal perspective.
The idea for Phil Pantano’s photographic series, “The American Worker,” walked into his office at a local steel mill in Lackawanna, New York, where Pantano holds a day job as a computer analyst. The man who came through the door was Jay “Elvis” Borzillieri, a fourth-generation steelworker whose father died in the mill. It doesn’t matter to the story what Elvis stopped in for that day, but when Pantano looked into his face a flash went off in his mind.
When it comes to portraiture, celebrities are like everyone else, except that for editorial shoots your time with them is very limited. “I’ve literally had as little as 3 minutes and as much as 20 minutes with an individual,” Los Angeles-based photographer Michael Becker observes.
Does using social media as a marketing tool work for photographers? That’s what we aimed to find out by interviewing five photographers who have successfully used this particular marketing technique in very specific ways. Unlike advertising and direct mail, where you send out your material and wait for a response, and sales calls, which are more time-consuming, social media is a unique technique that can breed success, but only when properly and fully utilized. Many thanks to our photographers for taking the time and attention to share their thoughts and experiences (websites at end of column): Liz Cowie, Clark Dever, David Alan Kogut, Brad Mangin, and Chuck St. John.
Photographing couples is an art form that should not be underestimated. Finding the right way to get two people, no matter how wellthey know each other, to pose and stay in a position worth shooting can be extremely difficult. Success requires the right combination of clear communication and dexterous shooting ability. That’s why it is so crucial for portrait and wedding photographers to follow a clear system in order to have time to both shoot classically-posed shots and fun, candid photos.
For almost a year I planned for the 22-day trip I took this past January to photograph among the indigenous people of Ethiopia. I did a lot of research so I’d know what to expect and how to deal with everything from the customs of the country to the weather and the traveling conditions. Also, I’d have a driver and a guide, and along the way I’d pick up local guides who’d know the ins and outs of specific villages, tribes, and dialects.