Photo How To

If you're not a regular user of Photoshop's versatile Brush tool, this complete beginners guide from The PIXimperfect YouTube channel is guaranteed to change your mind. You'll learn how to master everything from fundamental properties and "essential" tricks, to time-saving shortcuts and much more.

We regularly preach the importance of taking a selective, rather than a global, approach to processing your images. This simply means limiting your adjustments to specific portions of a scene that really need work, instead of making enhancements to the image as a whole.

Last week we posted an overview of making nighttime the right time for shooting after the sun drops below the horizon. That tutorial was designed for those new to the technique, and today we're following up with a deeper dive on one compelling aspect of this style of photography that's of particular interest to cityscape and street photographers.

Nailing exposure is a critical aspect of all genres of photography as you refine your skills, and this can be difficult when shooting outdoors under varied illumination. This is a particularly challenging task when the light is everchanging as clouds pass through a scene, or when subjects in motion move in and out of sunlight and shadow.

Object removal is one of the staples of editing images for simplicity and maximum impact. Maybe you want to eliminate the proverbial fence post emanating from a subject's head, or get rid of other equally distracting elements that detract from a shot.

Cropping images to refine composition is a no brainer, right? Well not exactly, because Photoshop's easy-to-use Crop tool provides more creative capabilities than you likely realize. You probably use this tool almost every time you process an image, so it's important to understand everything it can do.

Lightroom's recently updated Tone Curve is a powerful component of what Adobe enables you to achieve when processing photos. Unfortunately, this versatile tool is frequently avoided because some users find it rather intimidating.