Photo How To

Dodging and burning is a classic image-editing technique dating back to the heyday of film and the darkroom. Back then, dodging was used to lighten a specific portion of an image, while burning did the opposite.

Photoshop is such a robust package that it's almost impossible to understand everything it can do. Most photographers understand the basics, and others take things further, but there's still a lot going on under the hood that's unfamiliar to us all.

We constantly preach the importance of selective, rather than global, adjustments when editing photos. Even though this approach takes a bit more time and effort it provides maximum control for enhancing different portions within a scene independently of one another.

If you're considering making the switch from a crop-sensor camera to full-frame model we urge you carefully consider the key points of today's tutorial before pulling the trigger—especially if you're motivated by achieving images with less noise while shooting under low light with high ISO settings. That's because despite conventional wisdom the determining factors are more involved than you think.

Most outdoor photographers love shooting at Golden Hour, when soft warm tones bath the landscape before the sun disappears below the horizon. Unfortunately it's not always possible to control when we come across an epic scene, and sometimes that happens earlier in the day when light is less than ideal.

There are a variety of techniques for sharpening photos during the editing process, some more effective than others, but none are quite like the method you'll learn in today's tutorial that photographer Jethro Stebbings developed himself for bringing images to life.

Experienced photographers tend to shoot in the Raw file format because of enhanced image quality and greater flexibility during the editing process. But shooting Raw comes with a penalty because these files are significantly larger than Jpegs and other available formats.