Photo How To

Back in 2010 I sent a brand new Nikon D5000 to Llewellyn Data Processing (LDP LLC) in Carlstadt, NJ, and paid them to modify it so that it records the IR (infrared) spectrum only. They’ve been in this business for 20 years, since 1997, and in my experience they do terrific work

Have you ever checked out the battlefield photos made by Mathew Brady’s studio during the Civil War? They’re great, right?

Here’s a quick Lightroom tutorial that that will help you create more impressive portrait photos by using a simple Split-Toning technique to control the hues of both highlights and shadows in an image.

Conventional wisdom is that if you’re serious about photography you should always shoot in the Raw file format and reserve JPEG files for less important tasks such as emailing and posting images on the Internet. But this ongoing debate isn’t going to end any time soon, and in the video below you’ll see why one pro says he’s shooting JPEGs more and more often.

Q. In the July 2017 issue, one of the questions dealt with processing black-and-white images in Lightroom as opposed to shooting black and white in camera. One of your suggestions was using add-on programs in Lightroom such as Nik’s Silver Efex Pro to “open up a whole new world of black-and-white possibilities.” How much more benefit or advantage do you get from using an add-on program versus just learning the advanced features of Lightroom and creating the effects yourself? Is it worth spending the extra money on the add-ons or should you just learn to use Lightroom more efficiently?

Sometimes all it takes to turn a good photo into something special is a slightly different angle, creative cropping, or an unconventional choice of lenses. In this quick tutorial, you’ll see how to really boast the impact of a photograph by including “emotional tension” in the scene.