Photo How To

We’ve really been enjoying The Lab’s ongoing video series about photography and the group’s latest clip (embedded below) could be its most creative one yet. In the 2:30-minute spot titled “MINDFRAME – Think First. Shoot Later.”, six photographers are invited to a cemetery and are asked to capture “eternal life” in a single photo.

In a previous "Weird Lens Challenge" video from photographer Mathieu Stern we learned how to easily create a cool, retro looking video using a 1950s Photax plastic lens. In a new fun and informative clip, Stern uses a rare 1960s Kenko 180-degree fisheye lens to create a unique circular field of vision.

Hi everybody! I’m very excited to be launching a new Q&A column here in Shutterbug—a magazine I’ve been reading, and been a fan of, for so many years—so it’s truly an honor to be here with you. I invite you to send in your questions to editorial@shutterbug.com, and I’ll do my best to answer them in Ask a Pro. OK, let’s jump right to it.

Long, long ago in a land far away, photo hobbyists often used yellow filters on their lenses when shooting black-and-white film. Monochrome film was a bit more sensitive to blue light back in those days, and that caused skies and clouds to blend and become an indistinguishable mess. For reasons we’ll see later, green filters were often used for portraits.

Hi everybody! I’m very excited to be launching a new Q&A column here in Shutterbug—a magazine I’ve been reading, and been a fan of, for so many years—so it’s truly an honor to be here with you. I invite you to send in your questions to editorial@shutterbug.com (with "For Scott Kelby" as the subject line), and I’ll do my best to answer them in Ask a Pro. OK, let’s jump right to it.

One of the main tools we have for creating visual effects are lenses, the photographer’s eye on the world. Every choice of lens has implications about what you can and cannot include in the frame, how subjects within the frame relate to one another and how we use aperture settings and focal length to create a special point of view. In this chapter we’ll explore lens choice as well as lens controls that are essential to creative photography, including depth of field and focusing options.

The race was more joy than suspense. American Pharoah had already taken the Kentucky Derby and the Preakness Stakes, and he led the 2015 Belmont Stakes from the start and was never challenged. Early on, racing fans at Belmont Park were pretty sure they were going to see the first Triple Crown winner in 37 years.