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Not everyone has an opportunity to go on safari to photograph rare and wild animals, but most of us have a zoo nearby which is often the next best thing. The problem is that most images shot at the zoo look like were shot at the zoo.

The Hasselblad 907X 50C camera is so different from the sorts of cameras most of us shoot with, I feel like I almost need a new vocabulary to describe it. If a visitor from Area 51 handed me the device used on their planet to take pictures, I’d expect it to strongly resemble this ‘blad. It is at once familiar and yet radically different. Using it made me feel like I was at Disney’s World of Tomorrow exhibit, sampling the future and finding it surprisingly intuitive.

The practice of dodging and burning to manipulate exposure in different areas of an image dates back to the early days of film photography and the wet darkroom. Today we do the same thing in the digital darkroom to add drama and depth to our photos.

Have you ever marveled at long exposure nighttime photos and said to yourself, “I wish I could do that?” Actually you can, because these striking images of colorful light trails from cars and other eye-popping effects are quite easy to achieve.

If you want to really turn heads with your portraits, you might consider giving them a little glow. Yes, this can be done in-camera in radiant backlit or direct window light shooting scenarios, but you can also add an awesome glow to portraits in post-processing. In the below tutorial from f64 Academy, Blake Rudis shows you how.

There are a number of ways to portray sunset scenes, from images with a natural-looking effect to those that are more vibrant and intense. You can sometimes achieve the look you’re after in the camera, but other times a bit of processing is required.