On the Road

My flights in helicopters, small planes, and hot-air balloons are often provided by clients as part of my assignments; if I’m shooting for stock, I’ll pick up the hire fee. Aerial tours are widely available to tourists and photo enthusiasts alike, and there’s certainly no limit to spectacular locations you can photograph from above.

According to a photo industry writer I know, I do something that’s a bit unusual: I freely admit that sometimes I’m too close to my own photographs to judge them objectively, and because of that, I ask for help.

The story here is not that you should carry a wide-angle lens—or even better, several of them. I carry two or three wide-angle lenses routinely, and like me, I'm sure you realize their value and their importance. This lens how-to story is about ideas for how you can use them to maximize their creative potential and their stunning effect.

Years ago I took a photograph of prayer flags at a Buddhist monastery in Bhutan, and as I was shooting the image I wished I could also shoot video to record the movement of the flags and the sound they made as they danced in the wind.

I travel to take pictures, but sometimes I just happen to be in an interesting area, like last spring in Lexington, Kentucky. Let’s see: Lexington, horse country, the Keeneland racetrack nearby, and me never without my camera gear. Photography was bound to happen.

Earlier this year I co-led a photo tour in the Palouse region of Washington state. I’d never been there before, but reputation alone indicated an awesome photographic destination offering vistas of rolling hills and farmland, plus all the textures, colors, and plays of light and shadow you could wish for.