On the Road

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Deborah Sandidge  |  Nov 22, 2019  |  0 comments

It's not what most photographers would consider essential glass, but in mid-2017, when I heard it was available, I knew the 8-15mm f/3.5-4.5 fisheye Nikkor was a lens I'd like a lot. What I didn't realize was how much "a lot" was going to be. It turned out that I liked to have it with me whenever I was photographing.

Deborah Sandidge  |  Oct 04, 2019  |  0 comments

On my recent visit to Africa as a photo tour pro, I decided to capture the beauty and the wildlife of the Serengeti totally mirrorless. Considering my recent move to the format, the trip was confirmation of how committed I am to it, as I took only my mirrorless Nikon Z cameras—three of them, in fact: my Z6, Z7, and the Z7 I had converted to infrared. Yes, I'm all in.

Deborah Sandidge  |  Aug 14, 2019  |  0 comments

Waves occupy a high position on my favorite photographic subjects list. First, I feel a natural emotional connection to them. Second, they offer a lot of ways I can portray that connection. Give me a subject that provides lots of possibilities and creative challenges, and I'm there.

Deborah Sandidge  |  May 29, 2019  |  0 comments

I don't just use clouds in many of my photographs; I actively pursue them for my images. If I hear a storm is a few days out, I'll travel to meet it. I'm not talking about hurricanes—I'll travel away from one of those; but give me an approaching garden-variety Florida storm, and I'll be there.

Deborah Sandidge  |  Apr 10, 2019  |  1 comments

The story here is not that you should carry a wide-angle lens—or even better, several of them. I carry two or three wide-angle lenses routinely, and like me, I'm sure you realize their value and their importance. This lens how-to story is about ideas for how you can use them to maximize their creative potential and their stunning effect.

Deborah Sandidge  |  Feb 26, 2019  |  0 comments

Color is everywhere, so why would I be writing about finding and using it in photos? Why would this even be a concern?

Deborah Sandidge  |  Jan 24, 2019  |  2 comments

This will probably surprise you, but for someone writing about the advantages of heading out with one camera and one lens, I mostly don't do that. As a professional photographer who emphasizes travel images and loves to apply special techniques, I most often carry a rather full kit of lenses and a back-up DSLR, plus filters and a tripod.

Deborah Sandidge  |  Nov 30, 2018  |  0 comments

How did I get to be the photographer I am today? It’s a question I get asked a lot by beginner photographers and, I think, there are some valuable lessons in my story. First though, I want to talk about how I view the work of other photographers.

Deborah Sandidge  |  Aug 09, 2018  |  0 comments

Some photographers call it a personal project; others, a self-assignment. I haven’t spent a lot of time thinking about whether there’s a difference, and if there is, what it might be. Besides, I have my own mash-up of it: the personal assignment.

Deborah Sandidge  |  Feb 14, 2018  |  0 comments

Regular readers know that I emphasize in these columns the idea of visualizing opportunities that will set your images apart from the rest. There is another aspect to that idea, and that’s setting your images apart from each other. In other words, adding variety to your photography by adding, and even combining, techniques.

Deborah Sandidge  |  Sep 21, 2017  |  1 comments

I ended the March 2017 column on my must-have lenses for travel photography and the tripods that support them with a promise that there’d be a part two on the gear that goes beyond cameras and lenses to enable me to get the pictures I envision.

Deborah Sandidge  |  Jul 19, 2017  |  0 comments

This may be strange to hear from a travel photographer, but I can make a case that location isn’t everything—light is. And I’d build my argument on the fact that the right light brings out the best in any location.

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