On the Road

The September 25, 2016, issue of The New York Times Magazine was titled "The Voyages" Issue, and it featured an impressive collection of images. In the introduction to the issue, the writer Gideon Lewis-Kraus talks about the idea of the image as document or experience: this is what a place looks like as opposed to this is what it feels like to be there. He notes the cliché of “the traveler so busy with documentation that he misses out on some phantom called the ‘experience itself.’”

I ended the March 2017 column on my must-have lenses for travel photography and the tripods that support them with a promise that there’d be a part two on the gear that goes beyond cameras and lenses to enable me to get the pictures I envision.

This will probably surprise you, but for someone writing about the advantages of heading out with one camera and one lens, I mostly don't do that. As a professional photographer who emphasizes travel images and loves to apply special techniques, I most often carry a rather full kit of lenses and a back-up DSLR, plus filters and a tripod.

Somewhere along the line in a pro photographer’s career, or amid an enthusiast’s pursuit of picture making, you achieve a balance between geared up and weighed down when it comes to lens choices. You want versatility, but you also want to be mobile, even comfortable.