Back in the “old days” of film photography, soft-focus portraits were either achieved using lenses that were not nearly as sharp as those we have today, or with more invasive measures like scratching the front element of a lens.
Most photographers prefer to spend more time behind the camera and less time sitting at their computer, and it’s easy for all of us to get a bit lazy while editing our images. You can avoid this dilemma by watching the following tutorial that demonstrates how to quickly eliminate color fringing in landscape photos.
Nathaniel Dodson is one of our favorite sources of in-depth Photoshop tutorials that can dramatically enhance your images while retaining a natural look. In the video below, Dodson shows you everything you need to know about compositing and blending images like a pro.
Many photographers are unfamiliar with Photoshop’s powerful Sponge Tool, and that’s a shame because it’s a great way to punch up colors in an image while retaining a natural look. In the three-minute tutorial below you’ll learn how to make the Sponge Tool your friend.
Yesterday we told you about Adobe’s new update to Photoshop CC, version 19.1, which includes a host of enhancements. One of the most interesting and time saving new capabilities is the Select Subject feature, that will automatically select one or more prominent objects in an image with a simple click of the mouse.
A couple days ago we featured a tutorial on using Photoshop’s new “Select Subject” tool that provides one-click selections for prominent objects in a photo. While this unique tool is a real timesaver, it doesn’t always deliver perfect results.
Adobe recently updated Lightroom CC, their older non-cloud version of the popular desktop app, now called Lightroom Classic CC. Apart from speed improvements, the latest version offers a number of new capabilities. In the video below, you’ll learn how to save time by using the powerful new masking features,
Now that we’re officially in the throes of summer, there’s a good chance you may confront the challenge of making a decent photograph of someone with a serious case of sunburn. You can take the sting out of this task by watching the simple Photoshop tutorial below.
All photographers strive for sharp images, and we often employ a variety of methods to rehabilitate shots that are slightly soft due to camera shake, slow shutter speeds, or when we didn’t nail focus precisely. While there are ae a variety of ways to get the job done, Google’s free Sharpener Pro 3 is one of the best as you’ll see in the tutorial below.
We’ve had numerous discussions about making b&w conversions from color photographs. But what about converting b&w images to color? There are ways to get the job done using Photoshop or a free third-party artificial-intelligence (AI) platform that one image-editing expert says provides “jaw-dropping results.”
Sharpening your photographs can be a dicey proposition: We all want crisp images, but if you’re not careful when using Photoshop’s Unsharp Mask tool you can ruin an otherwise nice shot. In this helpful tutorial, you’ll learn a better, non-destructive technique.
Many photographers are uncertain about the difference between Photoshop’s Vibrance and Saturation tools, and how to use them when editing images. If you’re among the confused, this quick tutorial is for you.
Have you ever wanted to give panorama photography a try, but feared you lacked the necessary gear or image-editing expertise? Well fear not, because the following tutorial demonstrates an easy way to get the job done with the equipment you own and a simple Lightroom secret.
Adobe is constantly at work improving their software, adding powerful new features, faster performance, and streamlining the workspace. In case you haven’t had time to explore the recently released Photoshop version 23.3, the quick overview below will get you up to speed.
Last week we explored the differences between Lightroom and Photoshop to help you choose the software package that best suits your needs. In the video below, image-editing expert Peter McKinnon explains why he says, “Every photographer should be using Lightroom.”