Digital Darkroom

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Jon Canfield  |  Jan 01, 2005  |  0 comments

One of the most popular software areas recently has been DVD slide show creation programs. With the increased number of DVD writers it's becoming easier than ever to put your images on DVD for playback on computers and televisions. This is especially popular for sharing images with family members who may not have a computer or just don't want to deal with e-mailing...

Jon Canfield  |  Dec 01, 2004  |  0 comments

Based on e-mails I've received from the first Output Options column (ColorPlus: Affordable And Easy Color Management, September/October eDigitalPhoto), many of you are struggling with the quality of prints--even after calibrating your monitor. So, just in time for the holiday season and the increase in family photos that many people have, I'd like to talk about...

Jon Canfield  |  Dec 01, 2006  |  0 comments

In my last column I covered using Unsharp Mask to sharpen your images for output, whether print or screen. This time, we'll go a step further and talk about selective sharpening. Why would you want to use selective sharpening? It's the ideal choice when working on portraits, where you want to keep the skin smooth but have good detail and focus on the eyes. You'll...

Jon Canfield  |  Mar 01, 2007  |  0 comments

One of the most frequent questions I get from readers or students is about dpi, or dots per inch. There's a great deal of confusion out there on what the best settings are, and it isn't being made any easier by the use of two different measurements for resolution.

First, we have ppi, or pixels per inch, which usually applies to image resolution. This is...

Jon Canfield  |  Jan 01, 2008  |  0 comments

OK, you've done all the right things--you've calibrated your display using one of the hardware devices such as the X-Rite i1Display 2, Pantone huey, or ColorVision Spyder2. You've set your Photoshop work space up correctly, using Adobe RGB or ProPhoto RGB as the color space for your documents, and you've made all the right selections in the printer...

Darryl C. Nicholas  |  Dec 01, 2001  |  0 comments

For those of you who do pro or semi-pro shooting, you probably already know about package printing. It's when you send a negative to a lab and ask them to make up an order from it that would be something like (1) 8x10, (2) 5x7s, (2)...

David B. Brooks  |  Apr 01, 2000  |  0 comments

This last year of the century, 1999, saw the emergence of the digital darkroom. Most of the products I reported on during the year included scanners, printers, and digital cameras as well as new versions of image-editing software, all parts of a digital...

Rainer Wenzl  |  Apr 01, 2006  |  0 comments

Over 200 years ago, scientists and photographers experimented with light-sensitive chemicals and developed a photographic printing process that utilizes watercolor paper coated with a base of gum arabic solution with dichromate salt and pigment. This solution, when exposed to sunlight, becomes insoluble and is able to withstand the test of time.

This photographic...

Joe Farace  |  Mar 01, 2003  |  0 comments

Photoshop Power Tools

You can build a house with hand tools but it'll go much faster if you use more power. I believe in using power tools for digital imaging, and, for me, the digital equivalent is Photoshop plug-ins. You...

Darryl C. Nicholas  |  Oct 01, 2006  |  0 comments

If you photograph outdoors in daylight you're going to have minor exposure problems. You simply can't control the light as much as you might like, or need.

Our example is typical. The red barn is exposed correctly, but the grass is "hot" and the sky is washed out. Here is how you can correct these two little faults:
...

Joe Farace  |  May 01, 2007  |  0 comments

A vailable light, unavailable light, available darkness, or low light. It doesn’t matter what you call it.

Peter K. Burian  |  May 01, 2007  |  0 comments

In digital photography, exposure control is sometimes considered irrelevant. “You can easily fix any problems in your computer,” some friends will suggest.

Joseph A. Dickerson  |  May 01, 2007  |  0 comments

Have you always been intrigued by panoramic photography but couldn’t bring yourself to pony up for a dedicated panorama camera? Well, today you don’t have to.

Rick Sammon  |  Feb 01, 2001  |  0 comments

I'm a still photographer: I shoot only still pictures. Video? It's cool, but I like to capture individual "frozen moments in time." However, I often like to convey action--and the grace of a moving subject--in my still...

Rick Sammon  |  Dec 01, 1999  |  0 comments

Want to add some pizzazz to your existing photos? One way to accomplish this goal is to create the feeling or impression that a still subject is moving. With Adobe Photoshop, it's relatively easy. Here's how to do it.

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