Digital Darkroom

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Phillip Andrews  |  Apr 01, 2006  |  0 comments

The prevailing attitude is that the only way to speed up Photoshop is to spend loads of money to buy the latest and best gear on the market. While it's true that better, faster, and more expensive gear will always drive those pixels around the screen with more speed than lower-priced systems, this is only part of the story. Many dedicated Photoshop users can get substantial...

Frances E. Schultz  |  Sep 01, 2003  |  0 comments

Most printers strive to make fine prints. Some succeed while others fail. The road to success does not start in the darkroom; it starts before you ever press the shutter release.
A fine print can be of any subject. The single most important key to...

Dan Havlik  |  Aug 05, 2014  |  0 comments

If you want to correct the color in your photos and videos but don’t want to spend an arm and a leg doing it, Datacolor has just introduced the SpyderCHECKR 24, an affordable priced color calibration tool for your camera.

Howard Millard  |  Jun 24, 2015  |  0 comments
It is ironic—and a bit sad for those of us who grew up with film—that the day I began this review, Kodak announced that it would permanently stop production of slide film. So what is a digital photographer to do who still yearns for the look of film emulsions? Fortunately, DxO’s FilmPack 3 (www.dxo.com/us/photo) digitally emulates the quality, style, color, contrast and grain of 60 different film stocks, black and white and color, positive and negative, and adds 25 creative effects.
Rick Sammon  |  Mar 01, 1999  |  0 comments

Quick question: most of Ansel Adams' landscape posters are a) color or b) black and white? Take your time. Think about this master's medium. Before you answer, also consider the type of pictures that sell.

If you answered...

Rick Sammon  |  Oct 01, 1999  |  0 comments

How do we get ideas? This is a question man has asked since the time of the great Greek philosophers, Aristotle and Plato. The answer differs from person to person, from culture to culture, and from idea to idea. I don't claim to know the answer, but as a digital...

Rick Sammon  |  Jul 01, 1999  |  0 comments

Someone once asked me, when looking at the three-picture montage in this article, "How long did it take you to create your `Flying High' image?" My reply, "21 years," brought a look of puzzlement to the person's...

David B. Brooks  |  Apr 01, 2001  |  0 comments

As I write this, it's just after the holidays and I'm sure many are trying out their first steps with a new computer, ink jet printer, scanner, or digital camera. Thanks to Plug-N-Play, most will have these devices working...

Jon Canfield  |  Oct 01, 2005  |  0 comments

This article is an excerpt from Jon Canfield's book "RAW 101: Better Images with Photoshop Elements and Photoshop." It is available now in most bookstores and online. Published by Sybex, the 160-page book leads you through workflow and common raw conversion steps using Adobe Camera Raw (www.adobe.com).

...

Jon Canfield  |  Mar 01, 2005  |  0 comments

All Photos © 2004, Jon Canfield, All Rights Reserved

Accurate skin tones can be one of the most vexing problems facing the digital portrait photographer. The human eye sees skin tones as memory colors--we know what to expect, and when we see something different, our brain registers the fact, making everything else in the image seem off color. The reverse is also...

Jay Abend  |  Apr 01, 2002  |  0 comments

While it's clear to every serious photographer that digital cameras will eventually replace film as we know it, there's still cause for concern with the skin tone of digital portraits.

Unless...

Rick Sammon  |  Oct 01, 2000  |  0 comments

Ah, I remember those days well. And I remember her. The year was 1967. I, at 17, was spending time in my parents' basement darkroom with my girlfriend, Jan. It was in this makeshift darkroom in Garden City, New York, where Jan and I developed some...

Joe Farace  |  Sep 01, 1999  |  0 comments

Giclee (pronounced "zhee-clay") is a French word meaning "to spray on" or "to sputter." Giclee reproductions were originally developed in 1989 as a plateless method for fine art printing using large format ink jet printers and...

Darryl C. Nicholas  |  Mar 01, 2000  |  0 comments

My wife, Faye, and I started our "mom and pop" photographic studio in the early 1980s. We did it all. We shot weddings, kids, models, dogs, and the occasional commercial job. One friend called it the "brides, brats, and bimbos"...

Darryl C. Nicholas  |  Feb 01, 1999  |  0 comments

A few years ago the manufacturers of ink jet printers were struggling in order to make printers that could lay down very tiny dots--very close together. During those days if you tried to make a black and white print, it tended to look a little grainy...

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