Digital Darkroom

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Darryl C. Nicholas  |  Nov 01, 2003  |  0 comments

There are several great plug-ins for Adobe Photoshop that will create all sorts of edge effects, borders, and frames. But, this procedure uses only the basic Photoshop tools to create a very nice ragged edge. The procedure also demonstrates several features that can be applied to lots of other...

Joe Farace  |  Feb 01, 1999  |  0 comments

There is a popular misconception that digital imaging is limited to color photography. That's simply not true. Digital imaging embraces all the same aspects of color--or lack of color--that conventional photography does. Part of this lack of...

Darryl C. Nicholas  |  Feb 01, 2003  |  0 comments

The Darkroom

We use a flat-bed UMAX PowerLook III scanner for scanning reflective material. It has a maximum scan area of about 8.5x11.7". While that size handles a lot of what we need to scan, every now and then a client will bring in a much larger old picture that they...

Darryl C. Nicholas  |  Dec 01, 1999  |  0 comments

I've spent the better part of the past 20 years teaching folks how to do things in their traditional color darkrooms. But, I've got to tell you, since digital imaging has become a reality, there are some things I just can't do in a wet...

Darryl C. Nicholas  |  Jul 01, 2003  |  0 comments

The Darkroom

Knowing how to use a "brush" in Photoshop is critical to being able to do very much of anything in this great digital application. Photoshop ships with hundreds of different, ready-made, brushes. Each one of them can then be further customized to meet...

Darryl C. Nicholas  |  Jul 01, 2005  |  First Published: Jun 13, 2005  |  0 comments

In the old days we all used to keep tons of different colored matte board in stock to matte our photos. Or, we used the guy down the street who charged us plenty for those fancy mattes that we loved so much. Well, today you can do it all in Adobe's Photoshop. This article will give you the basics of creating an oval double matte in Photoshop.

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Darryl C. Nicholas  |  Aug 01, 2002  |  0 comments

When taking a picture of an
object, the exact background is no longer as important as it once was
because we can now change it so easily in Photoshop. For example, #1 is
a picture I recently took of a vase that I was preparing to offer...

Darryl C. Nicholas  |  Oct 01, 2005  |  0 comments

There are many different ways to make selections, each making life easier depending on the image and areas you want to define. Here's how I make selections that involve a lot of straight lines:

This picture, taken indoors looking out through large windows is a prime example of backlighting causing underexposure (#1). The fix for it is to select the well-lit outdoor...

Darryl C. Nicholas  |  Mar 01, 1999  |  0 comments

Remember the old days when retouching eyeglass glare meant sending the image out to a retouching artist or, if you did it yourself, spending about an hour or more with wet dyes carefully blending colors and carefully adding dye in thin layers to gradually...

Darryl C. Nicholas  |  Sep 01, 2003  |  0 comments

As some of you may already know, when you install Photoshop not all of the application is immediately loaded. There are many features and options that require further attention to become accessible. Photoshop "Styles" is one of those...

Darryl C. Nicholas  |  Jan 01, 2004  |  0 comments

When I read this press release headline, "Canon launches world's first film scanning capable, bus-powered 2400x4800dpi CIS scanner," I was intrigued. Then learning that the CanoScan LiDE 80 also features 48-bit color depth, only requires...

Darryl C. Nicholas  |  Jun 01, 2005  |  0 comments

I am frequently asked how to cut people out of one picture and paste them into another. All such work is preceded by first making a "selection" of the area that you want to cut out. Selections can be made many different ways. And, to some degree, the method you choose usually has to do with the nature of the material or people who you want to select.
With...

Darryl C. Nicholas  |  Mar 01, 2003  |  0 comments

In color photography there are six photographic colors (red, green, blue, cyan, magenta, and yellow) plus density and contrast. In order to look at a print and correctly identify what might be wrong with the color balance it is necessary...

Darryl C. Nicholas  |  May 01, 2004  |  0 comments

Of all the new tools in Photoshop CS, the one that I have heard the least about is the Shadow/Highlight tool. And, yet, for photographers, it is an extremely useful tool. Think of it as an alternate method for the Curves tool, one that often gives people...

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