Do you hate how you look in photos? Or, as a photographer, are you often unsatisfied with how your subjects appear in your images after you snap the photo? The problem might not be you; it could simply be the wrong pose.
For our annual discussion on the business of wedding photography, I spoke to three wedding photographers who are finding success in doing what they love. One of the keys to their success is that their marketing ideas and tips illustrate top-of-mind awareness, which helps keep them foremost in their clients’ minds.
So, you want to shoot street photography but you’re somewhat of a shy person: how do you overcome your fear so you can photograph total strangers in public places? That’s exactly what Pierre T. Lambert addresses in Part 2 of his video series on street photography.
Julia Trotti is a photographer we feature a lot on Shutterbug.com because she always has a great way of explaining how she captures her professional quality portraits. Trotti’s the first to admit though that much of her time is spent in Lightroom and Photoshop post-processing her images to get them exactly the way she wants.
Ok, we cannot officially endorse this job opportunity until we find out some more details – specifically, whether the photographer retains image rights – but it does sound intriguing.
The following is something people tell me when I suggest using a plug-in or specialized software for enhancing or retouching portraits: “But you can do that in Photoshop!” That’s because when it comes to software for wedding, portrait, and boudoir photographs, everyone has an opinion—sometimes a strong one—even if they’re wrong.
If you’re going to be a serious landscape photographer, you need a serious tripod but what’s mystifying is how little thought people put into picking one out. That’s exactly why professional photographer Tom Mackie of Landscape Photography iQ made the below video gear guide.
One of the most common questions we get from Shutterbug readers is how do you take your photography skills to the next level to become a professional photographer. It’s not an easy question to answer because going pro doesn’t involve improving your photography skills alone.
Yes, there’s a ton of great new photography gear out there that can do just about every trick under the sun. But do you really need to spend all your hard-earned cash on a fresh new camera rig when something older might be good enough?
So, let’s say you’ve shot a cool wildlife image that captures a poignant moment in the animal kingdom but, somehow, the photo looks sort of flat. Don’t worry, there’s a way to change your good image of a bird, lion, tiger or bear into a great one with the help of some proper editing.