Software How To

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John Brandon  |  Apr 01, 2011  | 

Exceptional photographic software reveals its true nature over time. In the case of Photo Mechanic—which is a pro-level image organizing tool from Camera Bits—there are seemingly insignificant features that provide a smooth workflow, especially for photo journalists working with IPTC data.

Howard Millard  |  Mar 01, 2011  | 

Whether you’re starting with a portrait, a landscape, a wedding photo, or a still life, it’s easy to use the hundreds of effects in onOne Software’s new PhotoFrame 4.5 (PF 4.5) to enliven your images and give them a distinctive look and unique appeal.

Joe Farace  |  Mar 01, 2011  | 

Everybody knows the basic concept and conceit of High Dynamic Range (HDR) imaging but first let’s get rid of yet another unnecessary acronym. What does HDRI—High Dynamic Range Imaging—add to the discussion other than just another letter?

George Schaub  |  Mar 01, 2011  | 

At first glance you might think that Alien Skin’s Exposure 3 ($249 at www.alienskin.com/store or $99 upgrade from Exposure 1 or 2; a free trial is available on their website as well) is a push-button solution to image manipulation.

John Brandon  |  Dec 01, 2010  | 

A smooth workflow makes the job of photography feel more like a passion. You release the shutter button and next thing you know you’re holding a framed comp for a client.

Jon Canfield  |  Nov 01, 2010  | 

The latest version of Lightroom is coming into full use as more and more plug-ins and export options come into play. This month Jon Canfield takes a look at the essential ingredients; next month we have another opinion about the latest version of Lightroom that takes a different point of view.

Howard Millard  |  Oct 01, 2010  | 

The onOne FocalPoint 2 plug-in software offers you a powerful option to speed and simplify the process of controlling focus “post exposure.”...

Howard Millard  |  Oct 01, 2010  | 

Whether you work in Photoshop, Elements, Lightroom, or Aperture, V2 enables you to quickly select the areas you want to change by pointing, clicking, and dragging without the need to create time-consuming selections and masks.

George Schaub  |  Oct 01, 2010  | 

The idea of loading an image and pushing a button and seeing what happens may be anathema to some photographers, but for certain images where you might want an extra-special touch done easy it might just do the trick.

Anthony L. Celeste  |  Oct 01, 2010  | 

Mystical Focus builds on the success of the Auto FX “Mystical” series of plug-ins, which includes Mystical Lighting and Mystical Tint, Tone, and Color.

John Brandon  |  Sep 01, 2010  | 

If a computer is part of your photographic workflow, then you’re probably already using Adobe’s Photoshop. The program has become standard for serious pros, erstwhile amateurs, and even those who just want to add some flair to their Facebook profile.

John Brandon  |  Sep 01, 2010  | 

Aperture 3 is an amazingly powerful workflow aid for any photographer. An improved interface that promotes a “work the way you want” aesthetic makes it easy to learn and use.

David B. Brooks  |  Mar 01, 2010  | 

Adobe’s Photoshop Elements favors the majority of the photo community, those who often get involved with the craft as they begin the family portion of their lives.

Steve Bedell  |  Mar 01, 2010  | 

Since I first wrote about Portrait Professional 8 in September of 2008, Anthropics Technology has been steadily working on the software to add more features and functionality.

Howard Millard  |  Mar 01, 2010  | 

For portrait, wedding, landscape, and fine art photographers, Corel’s new Painter 11 excels when you want to emulate traditional art media from your images, including oil paint on canvas, pastels on textured art paper, woodcut, silkscreen, watercolor, and more.

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