Photo Accessory Reviews

Let’s face it, air travelers. Takeoffs and landings in cataclysmic weather are a breeze compared to waiting for your bags to appear on the luggage carousal. Did your unlocked bag survive the flight without rupturing along the seams? Was it opened for inspection? And who would have thought that 14 other passengers checked black American Tourister Fieldbrook luggage sets identical to yours? Sound real? Then check out this Strapsafe Luggage Belt from Pacsafe.

One way that photographers can add variety to a portrait session is to shoot a few images in black and white. The way I like to do it is to put the camera in monochrome mode then shoot with Raw+JPEG capture, creating two files at the same time—one in color, the other in monochrome—that you can show your subject right away. I did this recently and the subject loved the look of the black-and-white portrait so much that we continued the session shooting that way. That said, since this is the lighting issue I’d like to start with some new items to light up your photo life.

Forget Photoshop for a few—let’s talk about three physical filters that you’ll fully enjoy while the fall foliage flourishes as well as later when the yearend holiday festivities finally flow in. In fact, you’ll find them fun to use anytime, frankly. 

Tired of multi-tools that have slackjawed pliers that pinch your fingers and scratch things up? Me too, so from now on I’m packing a Guppie. 

The most important tip I would like to share about travel photography is never buy a new camera or lens before traveling to Bhutan or even Carhenge. The next most essential travel photography secret is that using your equipment has to be instinctive; when a photo op presents itself you may only have a few seconds to get a shot. There’s no time to think about what menu to use or how to turn on continuous AF, or what exposure mode you’re in. Using your camera has to be instinctive; you should see—or even anticipate—then click the shutter. It’ll make travel more fun, too.

I received similar advice from my own father on my 17th birthday that ultimately put me on the path to a career—not a job—in photography. The photograph here was made by my friend Danny when we climbed the 897 stairs inside the Washington Monument. Inside the classy vinyl camera bag slung over my shoulder is a Kodak Brownie Hawkeye that my parents gave me for a birthday present. I modified the camera to accept close-up and yellow filters that an uncle gave me as a gift. Even then I was interested in enhancing images, and I had no idea what that might hold, but I was fascinated by computers (and robots) back then as well.

I’ve had to replace a failing computer hard drive more often than I’d care to remember. Fortunately, I’ve learned my lesson: my workstation now includes external drives as both backup and primary storage. I routinely move content from the computer onto one external drive and back up to a second drive. (I usually prefer to transfer memory card files first to the computer, so that my backups will include these; then I move those files to the external drive when a project is completed, making sure that they are synced to Lightroom.) Unfortunately, the cost of all this may amount to the price of a second camera body or new lens, but it’s money well spent, as you’ll realize the first time a drive goes down.