Digital Darkroom

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Phillip Andrews Posted: Feb 01, 2007 0 comments

For most photographers being able to switch from color to black and white with a few simple mouse clicks is one of the most powerful aspects of digital imaging. With digital you no longer need to pick color or black and white before taking the photo, as was the case when film was king. Now after color capture the decision to convert to monochrome can be made easily at the...

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David B. Brooks Posted: Dec 01, 2006 0 comments

This article is for those of you who color correct and adjust your image files to attain what looks like an ideal photograph on screen, but whose prints don't match that perfect screen image. Of all the challenges and disappointments digital photographers express to me in e-mails I receive almost daily, matching screen to print is the most common. It is also the most...

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Jon Canfield Posted: Dec 01, 2006 0 comments

In my last column I covered using Unsharp Mask to sharpen your images for output, whether print or screen. This time, we'll go a step further and talk about selective sharpening. Why would you want to use selective sharpening? It's the ideal choice when working on portraits, where you want to keep the skin smooth but have good detail and focus on the eyes. You'll...

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Jon Canfield Posted: Oct 01, 2006 0 comments

One of the most frequent questions I'm asked is about the proper, or "best," way to sharpen images for printing or web use. Almost everyone has struggled with getting this right. Software has improved greatly over the past couple of years, both within Adobe's Photoshop, which recently added the Smart Sharpen filter, and with third-party tools like...

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Darryl C. Nicholas Posted: Oct 01, 2006 0 comments

If you photograph outdoors in daylight you're going to have minor exposure problems. You simply can't control the light as much as you might like, or need.

Our example is typical. The red barn is exposed correctly, but the grass is "hot" and the sky is washed out. Here is how you can correct these two little faults:

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Darryl C. Nicholas Posted: Jul 12, 2006 Published: Jul 01, 2006 0 comments

I'm sure you all know how to do cloning with the Rubber Stamp tool in Photoshop. The tool picks up color from one place and lays it down in another place. It's a great tool for a lot of restoration repair jobs. However, when you have a restoration repair job that involves repairing areas of the picture that has a lot of straight lines, the Rubber Stamp tool...

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Shutterbug Staff Posted: May 01, 2006 0 comments

New developments in digital technology have given the artist new tools; digital cameras and software programs with incredibly creative options have allowed artists in all media to advance their work beyond the ordinary. While Jeff Berman, whose work appears on these pages, admits that new technology has opened creative doors, he also knows that at the heart of any work is an eye...

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Brad Perks and Roger L. Johnson Posted: May 01, 2006 0 comments

Custom designed for camera gear, comfort, mobile Internet access, and that go-anywhere performance, pros Roger L. Johnson and Brad Perks now use the PhotoMobile for photographic assignments, executive portrait sessions on location, and mobile photo services coast to coast.

Johnson's ideas took flight during a trip through the Rocky Mountains with Perks. They...

Howard Millard Posted: Apr 01, 2006 0 comments

Just when you thought that there really wasn't much more that Adobe could possibly cram into Photoshop, Version CS2, part of the Creative Suite, was released last year. Whether you're a seasoned digital pro or a newcomer, how do all these new features work and how can they improve your workflow and shorten the time you spend in postproduction? Check out the valuable...

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Phillip Andrews Posted: Apr 01, 2006 0 comments

The prevailing attitude is that the only way to speed up Photoshop is to spend loads of money to buy the latest and best gear on the market. While it's true that better, faster, and more expensive gear will always drive those pixels around the screen with more speed than lower-priced systems, this is only part of the story. Many dedicated Photoshop users can get substantial...

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Rainer Wenzl Posted: Apr 01, 2006 0 comments

Over 200 years ago, scientists and photographers experimented with light-sensitive chemicals and developed a photographic printing process that utilizes watercolor paper coated with a base of gum arabic solution with dichromate salt and pigment. This solution, when exposed to sunlight, becomes insoluble and is able to withstand the test of time.

This photographic...

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David B. Brooks Posted: Apr 01, 2006 0 comments

It seems to me that if a photo enthusiast spends $1000 for a digital camera it is a serious investment that carries an expectation of getting high-quality photographic print results. However, all digital cameras, even the more expensive digital SLRs, come out of the box set to the maker's default mode to save images in JPEG format. This, however, only reproduces a fraction...

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Phillip Andrews Posted: Mar 01, 2006 0 comments

Taking, editing, and enhancing photos are just the first few steps in the imaging process. Many photographers spend lots of time in these phases and then let their carefully crafted pictures sit dormant on their hard drive. These quick tips are designed to help you put your photos on show, whether as prints or on the web. There are multiple ways to share your images, so carry on...

Joe Farace Posted: Mar 01, 2006 0 comments

"There is nothing worse than a brilliant image of a fuzzy concept." --Ansel Adams

It could be that the sainted Adams meant a fuzzy image of a brilliant concept, but we'll never know. This month's column looks at using imaging software to blur an image and was inspired by a letter from reader Carol Baker. As a movie buff you gotta know...

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Steve Bedell Posted: Feb 01, 2006 1 comments

One look at the work of Richard Lohmann and you know you are viewing the work of a very skilled photographic practitioner. But what really has Lohmann excited these days are evolutions in digital technology. A combination of advanced film processing techniques and new ink technology has convinced Lohmann that he can now produce images comparable in quality to platinum prints...