Joe Farace

Sort By: Post Date | Title | Publish Date
Filed under
Joe Farace Posted: Jul 01, 2007 0 comments

The world is a book, and those who do not travel read only a page.--Augustine

Of all the things photography does, showing us distant lands was one of its earliest functions. Before direct flights to Beijing, the first photographs of China that appeared in National Geographic gave readers a sense of what the country was like, even though few would ever make the trip. Two...

Filed under
Joe Farace Posted: Oct 01, 2009 3 comments

Much of my portrait and fashion photography is done on location, but living in a place like Colorado the models (and the photographer, too) just aren’t always in the mood to stomp around in the cold weather and snow. That’s when a studio comes in handy. Some photographers just prefer having complete control over the lighting. Instead of the hassle and cost of renting a studio, why not...

Filed under
Joe Farace Posted: Oct 25, 2012 Published: Sep 01, 2012 8 comments
Studio lighting equipment is available in either continuous or electronic flash configurations. Continuous lighting is “on” continuously, much like a light bulb or the sun for that matter, enabling you to use your in camera light meter to measure and see how the light falls on your subject. Continuous lighting sources use photoflood, quartz, or HMI (Hydrargyrum Medium-Arc Iodide) bulbs, which can be hot, leading to the use of the term “hot lights.” An increasing number of continuous lighting tools use Compact Fluorescent Lamps (CFL) or LEDs, producing what are, in effect, “cool” hot lights.
Filed under
Joe Farace Posted: Sep 26, 2012 Published: Aug 01, 2012 0 comments
I’m often asked how photographers can have their website appear in this column, so I decided to offer some advice that even if it doesn’t get you featured in Web Profiles will improve the quality of your site.

Don’t use Flash. It may be fun, but why spend time and money to limit the number of people who can view it? Using Flash means literally millions of iPhone and iPad users can’t see your site.

Avoid the temptation to fill the site with graphics that compete with your photographs. First impressions count and you want visitors to focus on your images.

Filed under
Joe Farace Posted: Oct 01, 2009 0 comments

“Get your pretty little portfolio off my desk before I go into a diabetic coma.”—J. Jonah Jameson to Peter Parker

In case you forgot (or maybe didn’t know), Peter Parker a.k.a. Spiderman is a freelance newspaper photographer; one of the highlights of the movies to me is the off-handedly whimsical way his editor, J. Jonah Jameson, treats him, but it never stops...

Filed under
Joe Farace Posted: Mar 01, 2001 0 comments

Nada, Nothing, Bupkis. Anything that sounds too good to be true usually isn't. But free Internet access uses an age-old formula to let web surfers gain access to the World Wide Web (WWW) at no cost. Radio. Yup, radio. After you buy the...

Filed under
Joe Farace Posted: Dec 01, 2005 0 comments

"But when television is bad, nothing is worse...a vast wasteland."--Newton Minow

In his now famous speech to the National Association of Broadcasters, the FCC's Minow may have quoted Edward Estlin Cummings but he was on-target in addressing the state of television in 1961. I have to wonder what he would think about the visual and aural...

Filed under
Joe Farace Posted: May 01, 2004 0 comments

"Hard work never killed anybody, but why take a chance?"--Edgar Bergen

Last year, Take Your Camera To Work Day was celebrated with a website (http://www.takeyourcameratoworkday.com"...

Filed under
Joe Farace Posted: Jun 01, 2011 38 comments
Tamron has always been a pioneer in the do-everything zoom lens category and their new AF18-270mm F/3.5-6.3 Di II VC PZD lens is no exception. Don’t be intimidated by those initials—it’s all good stuff—and I’ll get to them shortly. The 18-270mm F/3.5-6.3 is part of Tamron’s Di II family of lenses that are engineered specifically for digital SLRs with image sensors measuring 24x16mm, typically referred to as APS-C. The sensor size of the Canon EOS 50D I tested the lens with measures 22.3x14.9mm so I guess that’s close enough. The 15x zoom range of the lens provides a 35mm focal length equivalency of 28.8-432mm with the Canon EOS 50D’s 1.6x multiplication factor, but that will be slightly different for the Nikon and Sony versions that are also available. Shooting full frame? Check out Tamron’s Di lens series for 35mm film cameras or digital SLRs featuring larger (24x36mm) sensors.

Filed under
Joe Farace Posted: Nov 01, 2005 1 comments

Tamron's AF18-200mm F/3.5-6.3 lens is part of their digitally integrated (Di II) lens series that's designed for digital SLRs and is not recommended for use with cameras having image sensors larger than 24x16mm, or 35mm film cameras. The lens is available in Canon EF, Konica Minolta AF-D, Nikon AF-D, and Pentax AF mounts and is maximized for smaller-sized imaging...

Pages

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading