Joe Farace

Sort By: Post Date | Title | Publish Date
Filed under
Joe Farace Posted: Feb 01, 2009 0 comments

“I used to hate doing color. I hated transparency film. The way I did color was by not wanting to know what kind of film was in my camera.”—Helmut Newton

Basking in a post-photokina gizmo haze and with dreams of PMA sugar plums still dancing on our dreams amid echoes of “Auld Lang Syne” and Wallace Shawn shouting, “Beware evildoers, wherever you...

Filed under
Joe Farace Posted: Mar 01, 2010 0 comments

“A photograph is a secret inside a secret. The more you see, the less you know.”
—Rian Johnson from The Brothers Bloom

As digital imagers in a worldwide economy we have lots of image-processing options available, not only from this country but also from software designers located all around the world. This month I’ll show you some of the latest examples of...

Filed under
Joe Farace Posted: Aug 01, 2007 0 comments

"A picture is the expression of an impression. If the beautiful were not in us, how would we ever recognize it?"--Ernst Haas

Power tools are small bits of software, be they Photoshop compatible plug-ins, Photoshop Actions, or software utilities that can make a digital photographer's life a little easier for creating practical or special effects. Much...

Filed under
Joe Farace Posted: Jul 01, 2001 0 comments

Ever since the Pictorialist movement at the turn of the 20th century, photographers have always enjoyed applying what many have dubbed "painterly" effects to their images. Pixographers are no strangers to this desire to create artistic...

Filed under
Joe Farace Posted: Jun 01, 2003 0 comments

PMA 2003 abounded in lots of digital gear. There were digital camera bags, digital tripods, and so forth so I went looking for digital lens tissue. I failed to find it but found something better from the clever folks at Hakuba (www.hakubausa.com).

Filed under
Joe Farace Posted: Jun 01, 2004 0 comments

There was all kinds of software at PMA 2004, but I would like to pass along some advice to would-be developers who want to get rich making under-$100 software for Windows that lets users manage, edit, print, and do all kinds of tricks. Fuggedaboutit. ACD Systems owns this market. While the Mac...

Filed under
Joe Farace Posted: Jul 11, 2013 Published: Jun 01, 2013 0 comments
Spring will soon be here and I’m looking forward to snow melting and flowers blooming. It’s a good time to appraise your web presence and spruce it up. If you do, I have a suggestion: don’t use Adobe Flash. First, it means millions of people using iPhones, iPads, or iPods can’t view your site.
Filed under
Joe Farace Posted: Jun 01, 2009 0 comments

“To the complaint, ‘there are no people in these photographs,’ I respond, ‘there are always two people: the photographer and the viewer.’”—Ansel Adams

It’s June, a month of brides and Shutterbug’s Digital Darkroom special issue. In this month’s edition of Web Profiles, I’ll introduce you to a website created by an amazing...

Joe Farace Posted: Jan 01, 2004 0 comments

Photographing race cars is a challenge no matter what kind of camera you use. Most people think that all they need is high ISO, fast shutter speed, and a long lens with a large aperture a.k.a. "big glass." Toss in a high frame per second continuous shooting mode and with a little...

Filed under
Joe Farace Posted: Apr 23, 2013 Published: Mar 01, 2013 1 comments
Speedotron’s power pack and head systems are the studio lighting world’s equivalent of the American muscle car. They’re powerful, made in the U.S.A., and ruggedly built to take hard use. Since its beginnings the company has offered two lines of lighting systems for photographers with different requirements. The premium-priced Black Line is intended for commercial shooters, while Brown Line products are aimed at portrait photographers, yet when used normally both have similar quality, reliability, and longevity.

Pages

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading