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Joe Farace Posted: Jul 31, 2015 0 comments

Everybody makes prints from their digital image files—everybody. It may just be cranking out a few photo prints from a birthday party on a kiosk at Walgreens, or wedding photographers having full albums printed at commercial labs, but contrary to some pundits who claim digital has destroyed the need for a physical print, they are still being made and enjoyed. As Mark Twain once said, “Facts are stubborn, but statistics are more pliable.”

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Joe Farace Posted: Nov 01, 2009 0 comments

“Part of the inhumanity of the computer is that, once it is competently programmed and working smoothly, it is completely honest.”—Isaac Asimov

One possible answer to the proverbial question “what is pro gear” might rightly be answered in this month’s Web Profiles (I don’t want to ruin the surprise), but a more conventional answer will be found in...

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Joe Farace Posted: Dec 08, 2015 0 comments

While compiling a list of my favorite professional DSLRs two things came to my mind: At this point in the 21st century, why are they still called DSLRs and not simply SLRs? Canon’s top-of-the-line, film-based EOS-1v was introduced in 2000 and is long gone. Nikon’s F6 ($2,399) was launched in 2004, and although you can still buy one, not many people do. To me it’s like calling automobiles “horseless carriages” and since I don’t think a Nikon F7 is around the corner, let’s put this abbreviation to bed.

Joe Farace Posted: Jan 25, 2016 0 comments

One of the easiest ways to capture that classic black and white look when shooting an IR- converted SLR is to shoot in Monochrome mode. If your camera doesn’t offer that option, you’ll have to convert the image into black and white after the fact. That may be the better of the 2 choices because that approach will give you more control over how the final image looks.

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Joe Farace Posted: May 01, 2007 0 comments

"Never be afraid to try something new. Remember, amateurs built the ark, professionals built the Titanic."

While my quote of the month is from "anonymous," the subhead was a statement made by Ralph Waldo Emerson, who I think is of "Where's Waldo?" fame. In recent months, this column has featured some professional photographers who...

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Joe Farace Posted: Oct 21, 2011 Published: Sep 01, 2011 5 comments
Dick Stolley, who many consider Time-Life’s best managing editor, once told People magazine photographers that a successful image elicited a “Gasp Factor” from the viewer. Stolley believed that if the image stopped the reader, forced them to take a second look, read the headline, and perhaps the rest of the story, the photograph passed his test. Often the best photographs—those “Gasp Factor” ones—are made under less than ideal lighting conditions. These images are made on stormy days, at the crack of dawn, sunset, or in the dark of night when getting the proper exposure can be a distinct challenge. It is those precious fleeting minutes when the quality of light provides photographers with images that separate photographs from snapshots.
Joe Farace Posted: Dec 01, 2004 0 comments

All Photos © 2004, Joe Farace, All Rights Reserved

The Quantum Qflash T4d Digital is a serious flash unit that combines the form factor and user interface of the kind of high-end flash units that camera manufacturers charge big bucks for with the kind of power normally found in small monobloc studio strobes. Then there's that removable reflector that...

Joe Farace Posted: Oct 01, 2007 0 comments

More than 20 years ago, photographer and photographic genius Gary Regester showed us all how to create a lighting system that used two shoe-mounted flash units and would indeed fit inside a shoebox. Over the years I've tried to create something similar--a set of small electronic flash units and all the required ephemera that would fit inside a small carrying case. But I...

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Joe Farace Posted: Apr 01, 2007 0 comments

"If a tree falls in the forest and no one is there to hear it, does it make a sound?"

In another photo magazine's blog, the writer notes the passing of J. Frederick Smith at 88 and says, "I had heard his name but wasn't really aware of his work until recently." At first I was surprised by this sentence since it appeared in what was...

Joe Farace Posted: Dec 20, 2011 Published: Nov 01, 2011 0 comments

Rime Lite (www.rimeliteusa.com) monolights are manufactured by Hyundae Photonics Co., Ltd., a company that’s been building high-quality studio lighting gear in Korea since 1981. They’re now being distributed in the U.S.A. by Dynalite (www.dynalite.com). The Fame Monolights are available in three different models that deliver 200, 400, and 600 watt-second output. (To see technical specifications on the three Fame monolights, go to the Instant Links section of our website, www.shutterbug.com, for this issue.) The monolights feature a circular Xenon flash tube and a modeling light that’s protected by a hard vented glass cover that easily screws on or off. Two knobs on the back of each light allow you to continuously vary the output for either the flash or the modeling light. A cluster of four LED-illuminated buttons let you turn on (or off) sound, the modeling light, the built-in slave, or the ubiquitous “test.”

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