Joe Farace
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Web Profiles
Joe Farace Sep 01, 2004 0 comments

Portraits From The Real World
Dick Sanders is an interesting guy. Like many of us, he became interested in photography while young, but the career path that led him to create the arresting images that populate this site (

Joe Farace Mar 01, 2005 0 comments

Riddle me this: What's the hardest thing to find on any location shoot? If you said, "clients who were on time," that would be partially true, but the correct answer is--an AC power outlet. They're even more difficult to find if you're at the beach, in a park, or as I often find myself, on a racetrack somewhere. One of the niftiest solutions...

Digital Innovations
Joe Farace Nov 01, 2010 3 comments

“All power corrupts, but we need the electricity”—Anonymous

It was a dark and stormy night… Mary and I were watching a DVD when the house was hit with a massive power surge. For a second I wondered about my computers but quickly forgot about them until turning them on a few days later. My Mac Pro and peripherals that are connected to a hefty APC (

Digital Innovations
Joe Farace Nov 01, 2009 0 comments

“Part of the inhumanity of the computer is that, once it is competently programmed and working smoothly, it is completely honest.”—Isaac Asimov

One possible answer to the proverbial question “what is pro gear” might rightly be answered in this month’s Web Profiles (I don’t want to ruin the surprise), but a more conventional answer will be found in...

Web Profiles
Joe Farace May 01, 2007 1 comments

"Never be afraid to try something new. Remember, amateurs built the ark, professionals built the Titanic."

While my quote of the month is from "anonymous," the subhead was a statement made by Ralph Waldo Emerson, who I think is of "Where's Waldo?" fame. In recent months, this column has featured some professional photographers who...

Digital Innovations
Joe Farace Oct 21, 2011 Published: Sep 01, 2011 10 comments
Dick Stolley, who many consider Time-Life’s best managing editor, once told People magazine photographers that a successful image elicited a “Gasp Factor” from the viewer. Stolley believed that if the image stopped the reader, forced them to take a second look, read the headline, and perhaps the rest of the story, the photograph passed his test. Often the best photographs—those “Gasp Factor” ones—are made under less than ideal lighting conditions. These images are made on stormy days, at the crack of dawn, sunset, or in the dark of night when getting the proper exposure can be a distinct challenge. It is those precious fleeting minutes when the quality of light provides photographers with images that separate photographs from snapshots.
Joe Farace Dec 01, 2004 0 comments

All Photos © 2004, Joe Farace, All Rights Reserved

The Quantum Qflash T4d Digital is a serious flash unit that combines the form factor and user interface of the kind of high-end flash units that camera manufacturers charge big bucks for with the kind of power normally found in small monobloc studio strobes. Then there's that removable reflector that...

Lighting Equipment
Joe Farace Oct 01, 2007 0 comments

More than 20 years ago, photographer and photographic genius Gary Regester showed us all how to create a lighting system that used two shoe-mounted flash units and would indeed fit inside a shoebox. Over the years I've tried to create something similar--a set of small electronic flash units and all the required ephemera that would fit inside a small carrying case. But I...

Web Profiles
Joe Farace Apr 01, 2007 0 comments

"If a tree falls in the forest and no one is there to hear it, does it make a sound?"

In another photo magazine's blog, the writer notes the passing of J. Frederick Smith at 88 and says, "I had heard his name but wasn't really aware of his work until recently." At first I was surprised by this sentence since it appeared in what was...

Lighting Equipment
Joe Farace Dec 20, 2011 Published: Nov 01, 2011 0 comments
Rime Lite (www.rimeliteusa.com) monolights are manufactured by Hyundae Photonics Co., Ltd., a company that’s been building high-quality studio lighting gear in Korea since 1981. They’re now being distributed in the U.S.A. by Dynalite (www.dynalite.com). The Fame Monolights are available in three different models that deliver 200, 400, and 600 watt-second output. (To see technical specifications on the three Fame monolights, go to the Instant Links section of our website, www.shutterbug.com, for this issue.) The monolights feature a circular Xenon flash tube and a modeling light that’s protected by a hard vented glass cover that easily screws on or off. Two knobs on the back of each light allow you to continuously vary the output for either the flash or the modeling light. A cluster of four LED-illuminated buttons let you turn on (or off) sound, the modeling light, the built-in slave, or the ubiquitous “test.”