Sort By: Post Date | Title | Publish Date
Joe Farace Posted: Oct 28, 2011 Published: Sep 01, 2011 1 comments

Nik Software’s Silver Efex Pro 2 is a major upgrade to an already great product and introduces many new features that offer you even more control over an image’s detail, contrast, and tonality, making it easy to transform color files into stunning black-and-white photographs. Silver Efex Pro 2 now includes controls for Dynamic Brightness, Amplify Blacks, Amplify Whites, Soft Contrast, Fine Structure, Image Borders, Selective Colorization, as well as a History Browser and many speed and quality improvements. All of Silver Efex Pro 2’s new features also play nice with Nik’s U Point technology, giving you selective control over an image instead of globally applying an effect, although that option is available, too.

Joe Farace Posted: May 01, 2008 0 comments

In the strictest technical terms, Color Efex Pro 3.0 may be a compatible plug-in but in reality it's an imaging environment that clings remora-like to Adobe's Photoshop, extending its capabilities and allowing you to produce incredible effects in little time. In that respect, Color Efex Pro 3.0 becomes a major productivity tool as well.

Interface...

Joe Farace Posted: Mar 01, 2011 0 comments

Everybody knows the basic concept and conceit of High Dynamic Range (HDR) imaging but first let’s get rid of yet another unnecessary acronym. What does HDRI—High Dynamic Range Imaging—add to the discussion other than just another letter?

Filed under
Joe Farace Posted: Feb 17, 2017 0 comments

There’s no more iconic focal length in Nikon folklore than 105mm. I remember the day in the 1980s when I purchased the legendary Nikkor 105mm f/2.5 lens (at prices that seem ridiculously low these days) from Denver’s Robert Waxman Camera and thought I’d finally made it. I felt some of that same rush of excitement when I picked up the new AF-S Nikkor 105mm f/1.4E ED lens ($2,196). While designed for FX (full frame) Nikon F-mount SLRs, it can also be used on their DX cameras that use APS-C-sized sensors, where it produces a 157.5mm equivalent field of view.

Filed under
Joe Farace Posted: Apr 01, 2011 3 comments

The Nikon D3100 ups the D3000’s megapixel ante from 10.2 megapixels to 14.2, adds Live View, video capture, and support for all functions of AI-P Nikkor lenses except autofocus and 3D Color Matrix Metering II.

Filed under
Joe Farace Posted: Jan 01, 2010 0 comments

When Nikon launched the all-new entry-level D3000, they took the time to freshen the D300 with—what else—video capability, adding the “s” suffix, as is their naming habit.

Filed under
Joe Farace Posted: Apr 01, 2009 0 comments

Right now it’s all about megapixels and Nikon’s latest entry in the super D-SLR race is the 24.5-megapixel D3X.

Filed under
Joe Farace Posted: Feb 01, 2009 0 comments

The Nikon N90s was the first autofocus 35mm SLR that I owned and I have many fond memories of using and capturing film images with that camera.

Filed under
Joe Farace Posted: Apr 01, 2009 0 comments

“The first of April is the day we remember what we are the other 364 days of the year.”—Mark Twain

The history of April Fool’s Day may be unclear but many scholars think it began in France when the Gregorian calendar replaced Charles IX’s in 1582, creating confusion with some people celebrating New Year’s Day on what was now April 1st. These people were...

Filed under
Joe Farace Posted: Jul 01, 2008 0 comments

The noise that appears in digital photographs is the visual equivalent of the static you hear in radio signals. Most digital cameras add some level of noise to captured images.

Pages