Joe Farace

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Joe Farace Posted: May 01, 2009 0 comments

“I am a Bear of Very Little Brain, and long words bother me.”—A. A. Milne

The beginning of the year is a busy one for trade shows, ranging from the huge Consumer Electronics Show (CES) in Las Vegas that showcases everything from the latest vacuum cleaners to digital cameras. On top of that, there’s the classic Macworld Expo in San Francisco that while a shell of its...

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Joe Farace Posted: Sep 01, 2006 0 comments

"You will not be able to plug in, turn on, and cop out."
--Gil Scott-Heron

Is the raw file format the solution or the problem? According to OpenRAW (www.openraw.org), "closed, proprietary, raw file formats present many immediate and future challenges for photographers." Some of their reasons...

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Joe Farace Posted: Nov 01, 2004 0 comments

Photos © 2004, Joe Farace, All Rights Reserved

People who use digital cameras tend to shoot more images than when they had to pay for film and processing, but management and organization of these digital files is not free. You need software to organize those images...

Joe Farace Posted: Jan 14, 2014 Published: Dec 01, 2013 0 comments

The Pentax MX was a 35mm Single Lens Reflex (SLR) camera produced from 1976 to 1985 and, for a time, was the company’s flagship SLR. It was solidly built featuring all-mechanical construction, including the shutter, and only the metering system was battery dependent. The new all-digital, all-electronic Pentax MX-1 couldn’t be more different. For openers, the MX-1 is not an SLR but an advanced digital compact camera with the kind of retro styling that’s all the rage these days with camera designers and, apparently, camera buyers, too. So, how does the MX-1 stack up?

Joe Farace Posted: Jan 01, 2008 0 comments

In 1979 Pentax launched the ME Super as a manual focus, aperture-priority automatic SLR with an electronic focal plane shutter. It was small, light, and by all reports had excellent ergonomics. It used the by-then ubiquitous K-mount lens system and was sold successfully through '84. Fast forward to 2007 and Pentax Imaging launched the K100D Super D-SLR with a few of the...

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Joe Farace Posted: Mar 01, 1999 0 comments

Over the years, photographers have come up with a lot of clever names for "available light." When working under less than ideal lighting condition, you'll hear some people call it "available darkness" or "unavailable...

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Joe Farace Posted: Jul 13, 2011 Published: Jun 01, 2011 1 comments
As I write this, the temperature outside my office window is -11˚. It’s at times like this when my thoughts go to my favorite (warm) place to kick back and relax. Acapulco is different from other Mexican resorts because it’s a city with a wonderful history first and a resort second, and then there’s that old Hollywood connection. You can see some of my Acapulco photos in the self-published book Acapulco, Paradise of the Americas (www.blurb.com/my/book/detail/196617) with text by my friend Don Bain. For examples of my travel photography, you can preview the first 15 pages and see why I love Acapulco so much. If you would like a copy, I’ve removed all markups from the softbound edition so Shutterbug readers and their friends can purchase it for just the cost of production and shipping.
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Joe Farace Posted: Sep 01, 2010 1 comments

“I don’t have a photograph, but you can have my footprints. They’re upstairs in my socks.”—Groucho Marx

Recently I saw an impressive demonstration of Samsung’s (www.samsung.com/us/learningresources3D) three-dimensional television and while not inexpensive, it was far less than...

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Joe Farace Posted: Jan 13, 2015 0 comments

If there is any one technical aspect that has not changed in the transition from film to digital it’s been the pursuit of “perfect” exposure, which is ultimately dictated by the latitude of the capture medium. Latitude is the extent to which film or an imaging chip can be overexposed or underexposed and still produce an acceptable result.

Joe Farace Posted: Jun 01, 2006 0 comments

Times change. Last year, dye sublimation snapshot printers were all the rage. This year the focus on printers at PMA was on permanence with more and more printers available with archival image-printing capabilities. Many included the availability of multiple cartridges capable of using pigment-based inks for creating long-lasting, gallery-quality output. The upside is, of...

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