Joe Farace

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Joe Farace Posted: Sep 01, 2010 1 comments

“I don’t have a photograph, but you can have my footprints. They’re upstairs in my socks.”—Groucho Marx

Recently I saw an impressive demonstration of Samsung’s (www.samsung.com/us/learningresources3D) three-dimensional television and while not inexpensive, it was far less than...

Joe Farace Posted: Jun 01, 2006 0 comments

Times change. Last year, dye sublimation snapshot printers were all the rage. This year the focus on printers at PMA was on permanence with more and more printers available with archival image-printing capabilities. Many included the availability of multiple cartridges capable of using pigment-based inks for creating long-lasting, gallery-quality output. The upside is, of...

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Joe Farace Posted: Oct 01, 2001 0 comments

Affordable photo-realistic output was the holy grail of color printers, and Epson's 1994 introduction of the Stylus Color ink jet printer changed the ball game forever. The original Stylus Color was a 720 dots per inch (more on...

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Joe Farace Posted: Nov 02, 2011 Published: Sep 01, 2011 0 comments
If Dustin Hoffman’s character in The Graduate were graduating from photo school this year, the advice he would be getting instead of “plastics” would be “speedlights,” and why not? When compared to a monolight, the biggest advantage of using a shoe-mount flash is that they’re small and portable, which means you can take them anywhere. Today’s shoe-mount flashes—or speedlights as camera manufacturers like to call them—are sophisticated, seamlessly blending natural light and flash as well as having the ability to group several flashes together, trip them wirelessly, all the while calculating the correct exposure.
Joe Farace Posted: Dec 03, 2013 Published: Oct 01, 2013 0 comments
When I first saw the battery-powered Photoflex TritonFlash at a pro show I was impressed as much by its power output and flexibility as its tiny size. Available in a kit that includes one of the company’s light banks along with everything—except a light stand—the setup can get you started making portraits in the studio or on location with nary an electrical outlet in sight.
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Joe Farace Posted: Dec 01, 2003 0 comments

Photogenic's StudioMax II is the kind of monolight I've been trying to find for a long time. It's lightweight, powerful, and accepts battery power so it can be used on locations where the nearest AC outlet is a city block or county away.

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Joe Farace Posted: Jul 08, 2013 0 comments
Photogenic Professional Lighting is one of the classic names in portrait lighting and has been making studio equipment for more than 100 years. A lot has changed in technology since 1903 but one thing that hasn’t is Photogenic’s manufacturing their lighting gear for studio or location portrait photography here in the USA. I chose the AKC55K 640 WS Soft Box Portrait kit for this review because it was a 2-light system that includes a soft box on a boom, something beginning portrait photographers sometimes overlook because they think this particular lighting tool is too expensive and too complex to use. My experience with this kit demonstrated otherwise.
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Joe Farace Posted: Mar 01, 2010 2 comments

“They have been at a great feast of languages, and stolen the scraps.”
—William Shakespeare

Although I like their search engine, I’m not a huge fan of Google as a company, but every now and then something happens that makes me appreciate some things they do. Take Google Alerts. These are e-mail updates of relevant Google results (web, news, etc.) based on your...

Joe Farace Posted: Jan 01, 2004 0 comments

You don't normally think of any point-and-shoot camera as ideal for photographing models, but you never know when a great photo op is going to present itself. That's why I like to carry a small, high quality digital camera with me at all times. Right now Minolta's DiMAGE Xt...

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Joe Farace Posted: Feb 01, 2000 2 comments

There is much more to black and white photography than simply an absence of color. Maybe we wouldn't feel this way if the first photographs had been made in full color, but that didn't happen and, like many photographers, I grew up admiring the...

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