Joe Farace

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Joe Farace Posted: Mar 01, 1999 0 comments

Over the years, photographers have come up with a lot of clever names for "available light." When working under less than ideal lighting condition, you'll hear some people call it "available darkness" or "unavailable...

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Joe Farace Posted: Jul 13, 2011 Published: Jun 01, 2011 1 comments
As I write this, the temperature outside my office window is -11˚. It’s at times like this when my thoughts go to my favorite (warm) place to kick back and relax. Acapulco is different from other Mexican resorts because it’s a city with a wonderful history first and a resort second, and then there’s that old Hollywood connection. You can see some of my Acapulco photos in the self-published book Acapulco, Paradise of the Americas (www.blurb.com/my/book/detail/196617) with text by my friend Don Bain. For examples of my travel photography, you can preview the first 15 pages and see why I love Acapulco so much. If you would like a copy, I’ve removed all markups from the softbound edition so Shutterbug readers and their friends can purchase it for just the cost of production and shipping.
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Joe Farace Posted: Sep 01, 2010 1 comments

“I don’t have a photograph, but you can have my footprints. They’re upstairs in my socks.”—Groucho Marx

Recently I saw an impressive demonstration of Samsung’s (www.samsung.com/us/learningresources3D) three-dimensional television and while not inexpensive, it was far less than...

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Joe Farace Posted: Jan 13, 2015 0 comments

If there is any one technical aspect that has not changed in the transition from film to digital it’s been the pursuit of “perfect” exposure, which is ultimately dictated by the latitude of the capture medium. Latitude is the extent to which film or an imaging chip can be overexposed or underexposed and still produce an acceptable result.

Joe Farace Posted: Jun 01, 2006 0 comments

Times change. Last year, dye sublimation snapshot printers were all the rage. This year the focus on printers at PMA was on permanence with more and more printers available with archival image-printing capabilities. Many included the availability of multiple cartridges capable of using pigment-based inks for creating long-lasting, gallery-quality output. The upside is, of...

Joe Farace Posted: Oct 01, 2001 0 comments

Affordable photo-realistic output was the holy grail of color printers, and Epson's 1994 introduction of the Stylus Color ink jet printer changed the ball game forever. The original Stylus Color was a 720 dots per inch (more on...

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Joe Farace Posted: Jan 12, 2015 0 comments

Thanksgiving is a uniquely American holiday when friends come together and share a meal and their feelings for one another. The World Wide Web is another way we can share images with others, no matter where they may be located on this vast planet. Over the years I have made some really great friends who I would never have met except for the Internet, which is its real power. Here are a few photographer friends I’ve met online through their excellent websites.

Joe Farace Posted: Nov 02, 2011 Published: Sep 01, 2011 0 comments

If Dustin Hoffman’s character in The Graduate were graduating from photo school this year, the advice he would be getting instead of “plastics” would be “speedlights,” and why not? When compared to a monolight, the biggest advantage of using a shoe-mount flash is that they’re small and portable, which means you can take them anywhere. Today’s shoe-mount flashes—or speedlights as camera manufacturers like to call them—are sophisticated, seamlessly blending natural light and flash as well as having the ability to group several flashes together, trip them wirelessly, all the while calculating the correct exposure.

Joe Farace Posted: Dec 03, 2013 Published: Oct 01, 2013 0 comments

When I first saw the battery-powered Photoflex TritonFlash at a pro show I was impressed as much by its power output and flexibility as its tiny size. Available in a kit that includes one of the company’s light banks along with everything—except a light stand—the setup can get you started making portraits in the studio or on location with nary an electrical outlet in sight.

Joe Farace Posted: Dec 01, 2003 0 comments

Photogenic's StudioMax II is the kind of monolight I've been trying to find for a long time. It's lightweight, powerful, and accepts battery power so it can be used on locations where the nearest AC outlet is a city block or county away.

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