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Joe Farace Posted: Nov 01, 2004 0 comments

Photos © 2004, Joe Farace, All Rights Reserved

People who use digital cameras tend to shoot more images than when they had to pay for film and processing, but management and organization of these digital files is not free. You need software to organize those images...

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Joe Farace Posted: Aug 12, 2015 0 comments

This month marks the anniversary of a column that began in Shutterbug magazine in 1999 as Website of the Month and along the way evolved into Web Profiles. We’ve now moved the column exclusively online and I continue to seek out seek out new websites, to boldly go…sorry, I got carried away.

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Joe Farace Posted: Jul 03, 2015 0 comments

May was National Photo Month, the former home of Take Your Camera to Work Day, and the month I was born, so you might say it’s a month for celebrating the art and science of making images, no matter what that medium—film or digital—may be. This month’s column features images from the U.S.A., Canada, and Slovakia, and each website and photographer showcases the joy of image making with the ability to share their work with like-minded individuals around the world, which is the main reason why photography is the universal language.

Joe Farace Posted: Jan 14, 2014 Published: Dec 01, 2013 0 comments

The Pentax MX was a 35mm Single Lens Reflex (SLR) camera produced from 1976 to 1985 and, for a time, was the company’s flagship SLR. It was solidly built featuring all-mechanical construction, including the shutter, and only the metering system was battery dependent. The new all-digital, all-electronic Pentax MX-1 couldn’t be more different. For openers, the MX-1 is not an SLR but an advanced digital compact camera with the kind of retro styling that’s all the rage these days with camera designers and, apparently, camera buyers, too. So, how does the MX-1 stack up?

Joe Farace Posted: Jan 01, 2008 0 comments

In 1979 Pentax launched the ME Super as a manual focus, aperture-priority automatic SLR with an electronic focal plane shutter. It was small, light, and by all reports had excellent ergonomics. It used the by-then ubiquitous K-mount lens system and was sold successfully through '84. Fast forward to 2007 and Pentax Imaging launched the K100D Super D-SLR with a few of the...

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Joe Farace Posted: Mar 01, 1999 0 comments

Over the years, photographers have come up with a lot of clever names for "available light." When working under less than ideal lighting condition, you'll hear some people call it "available darkness" or "unavailable...

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Joe Farace Posted: Jul 13, 2011 Published: Jun 01, 2011 1 comments
As I write this, the temperature outside my office window is -11˚. It’s at times like this when my thoughts go to my favorite (warm) place to kick back and relax. Acapulco is different from other Mexican resorts because it’s a city with a wonderful history first and a resort second, and then there’s that old Hollywood connection. You can see some of my Acapulco photos in the self-published book Acapulco, Paradise of the Americas ( with text by my friend Don Bain. For examples of my travel photography, you can preview the first 15 pages and see why I love Acapulco so much. If you would like a copy, I’ve removed all markups from the softbound edition so Shutterbug readers and their friends can purchase it for just the cost of production and shipping.
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Joe Farace Posted: Sep 01, 2010 1 comments

“I don’t have a photograph, but you can have my footprints. They’re upstairs in my socks.”—Groucho Marx

Recently I saw an impressive demonstration of Samsung’s ( three-dimensional television and while not inexpensive, it was far less than...

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Joe Farace Posted: Jan 13, 2015 0 comments

If there is any one technical aspect that has not changed in the transition from film to digital it’s been the pursuit of “perfect” exposure, which is ultimately dictated by the latitude of the capture medium. Latitude is the extent to which film or an imaging chip can be overexposed or underexposed and still produce an acceptable result.


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