Joe Farace

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Joe Farace Posted: Aug 05, 2014 0 comments

There are two kinds of portrait photographers: the first likes to shoot with “available light,” by which they mean “every light that’s available.” For some shooters, setting up five lights to make a portrait is just getting started. The second group prefers to use as few light sources as possible because there’s less gear to fiddle with, which translates into more time spent concentrating on the subject. Isn’t that what making a portrait is all about? Using fewer lights is less expensive, reduces setup time, and results in less weight to transport on location. But can you make a portrait with just one light?

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Joe Farace Posted: Apr 01, 2010 0 comments

“Now join hands, and with your hands your hearts.”—William Shakespeare

There is more to wedding photography than capturing the image. Afterward there’s more work involved getting all of those images sorted, edited, and prepared for the web or albums for the happy couple and their parents. This month, I’ll introduce you to a few software and hardware tools that...

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Joe Farace Posted: Dec 26, 2012 Published: Nov 01, 2012 40 comments
Thanksgiving Day is celebrated in the United States and Canada, although up North it’s the second Monday in October. Other places around the world observe Thanksgiving celebrations as well and I’d like to celebrate it here by thanking the people who make this column possible. Big thanks goes to Editorial Director George Schaub and Managing Editor Andrea Keister, who occasionally suggest sites for the column but mostly just make me look good. A big thank you goes out to all of the magazine’s readers for their support over the years. In recent issues I haven’t had as many Shutterbug Reader-of-the-Month sites but I’ll make up for it this month, starting with…
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Joe Farace Posted: Jul 01, 2011 Published: May 01, 2011 1 comments
I only get to be in touch with you once a month through this column and Digital Innovations, but if you want more frequent reports, you can follow me on Twitter (www.twitter.com/joefarace) for daily updates on what’s new in digital imaging along with a dash of silliness. What’s more, my how-to blog (www.joefaraceblogs.com) has been restructured to feature a different topic each day of the week, such as Macro Monday, Travel Tuesday, and because I ran out of alliterations, Landscape Wednesday, Automobile Thursday, and Portraits and Glamour Friday.
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Joe Farace Posted: Aug 26, 2014 0 comments
In any given issue of this magazine you’ll see lots of different genres of photography represented, showing the diversity not only of subject matter but also how these subjects are treated aesthetically and technically. It’s this diversity of style that makes the magazine so readable as well as so much fun. Our readers are a diverse lot, too, and this month you will see an all-readers’ Web Profiles. These readers come from all over the country and use a variety of methods to display their work, but they all have one thing in common: an overriding passion for the art and craft of photography.
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Joe Farace Posted: Apr 15, 2014 Published: Mar 01, 2014 0 comments
Sigma’s 18-35mm f/1.8 DC HSM is part of their DC series of lenses designed for APS-C-sized sensors so the imaging circle is matched to the size of the sensor. For this assignment, I used a Canon EOS 60D with a 22.3x14.9mm sensor, producing an equivalent angle of view of a 28-56mm lens. Shooters of Nikon, Pentax, Sigma, and Sony cameras, the other mounts for which the lens is available, will achieve an angle of view equivalent to 27-52mm. Unlike other lens manufacturers, Sigma priced the different mounts the same ($799) so don’t feel you’re going to be paying a premium for your camera choice. Bucking a trend with camera manufacturers’ lenses, the Sigma 18-35mm f/1.8 DC HSM includes a lens hood at no extra charge.
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Joe Farace Posted: Mar 01, 2008 0 comments

"The first step in blogging is not writing them but reading them."--Jeff Jarvis

Twice in the past I've tried to create a blog and failed miserably each time, perhaps because the blogging sites, not me, controlled the software used to create and maintain them. Recently my pal Ralph Nelson (http://www.ralphnelson.com"...

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Joe Farace Posted: Aug 01, 2004 0 comments

His Master's Voice
The simplicity of Blake Shaw's homepage (www.blakeshawphotography.com) hits you over the head with a soft hammer belying the complex imagery within. The...

Joe Farace Posted: Nov 15, 2012 Published: Oct 01, 2012 1 comments
One of the first lighting kits I ever owned was a set of Smith-Victor Adapta-Lights that had screw-base sockets for photoflood lamps. Son of a gun, the company still offers Adapta-Lights as an entry-level solution for beginning portrait photographers who want to work with hot lights. On the other hand, if you prefer making portraits using electronic flash, Smith-Victor’s three-light FL700K Strobe Light Kit may be just what you’re looking for.

The FL700K Strobe Light Kit that I tested is designed for amateur photographers and aspiring pros and contains two FLC300 (320 ws) FlashLite and one 110i (110 ws) FlashLite monolights. The FLC300 monolights offer continuously variable flash power settings, a test button, a ready light, and an optical slave for wireless triggering and have an umbrella stand adapter that’s compatible with 3/8” through 5/8” light stand posts. To expand the kit’s capabilities, Smith-Victor offers more than 100 accessories and light modifiers for the FLC300 monolights, including softboxes, reflectors, snoots, grids, and barn doors. The 110i monolight has a full- or half-power setting, optical slave, small built-in reflector, and umbrella mount. When used together, all three lights give you lots of flexibility for lighting studio or on-location portraits.

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Joe Farace Posted: May 01, 2008 0 comments

"...anyone can write a nonfiction piece. In fact, all nonfiction writing was just `What I Did Last Summer' over and over again."--Evan Hunter writing as Ed McBain

After returning from a trip to Puerto Rico last year I tried a small venture in self-publishing, resulting in a 7x7" travel photography book. It's like a micro-sized...

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