Nik Software Color Efex Pro 4: Creative Filters Just Got Easier To Use

Jill Rahn's picture
Color Efex Pro 4 is Nik Software’s (www.niksoftware.com) latest version of its digital photographic filter plug-ins for retouching and creative enhancements. It is Mac OS and Windows compatible and installs as a 32-bit and 64-bit plug-in for Adobe Photoshop CS4 or later, Lightroom 2.6 or later, Photoshop Elements 8 or later, or Apple Aperture 2.1.4 or later. The installer searches for all of the hosts that are on your computer and if you already have Photoshop, Lightroom, and Aperture installed, as I do, it will install Color Efex Pro 4 for all of the host applications.

Courtesy of Nik Software

What’s New
One of the biggest improvements in Color Efex Pro 4 is the ability to use Filter Combinations that let you stack multiple filters, adjust each one’s opacity, and make selective adjustments to get the desired look. Each filter contains single-click starting points, making it possible to explore different options. Shades of Emeril Lagasse, there are Filter Recipes that let you customize and share filter combinations with others. Bam! Reminiscent of HDR Efex Pro, the 10 recipes that are part of the package are a quick way to get started using Color Efex Pro 4 and more are available for download on Nik Software’s website.

The Bi-Color User Defined filter is part of both Select and Complete Editions of Color Efex Pro 4 and while the kinds of effects it produces are not radically different from previous versions, the ease in which changes are made to a photograph results in a decided productivity increase and streamlines your digital workflow.
© Joe Farace

A History Browser makes it possible to compare previous edits and different looks. For faster performance, the software features GPU Processing and Multi-Core Optimization, taking advantage of the processors found on advanced display adapters and newer computers. I didn’t notice much difference on my old 2 x 2.66GHz Dual-Core Intel Xeon-powered Mac Pro but Color Efex Pro 3.0 was always pretty fast on this computer.

Left: Dark Contrasts utilizes a new and unique technique that exaggerates details and textures throughout your photographs while creating a dark and moody result. What I really liked about the Dark Contrasts filter was the way it helped tame the contrast in this photograph of a rat rod while at the same time adding detail and an overall mood that suited the entire rat rod oeuvre. Right: Detail Extractor has a new technique that amplifies details to create highly stylized photos. You can use this filter to balance light and tonality and extract details from every corner of your photo. You could consider it Quick & Dirty HDR. The filter has a simple interface that contains three sliders: Detail Extractor, Contrast, and Saturation. Shadows and highlights can be manipulated using Nik’s Control Point technology that’s part of every filter in Color Efex Pro 4.
Photos © Joe Farace

Overall, there have been big changes in interface, user interaction, and workflow, with some pluses and minuses along the way. The most helpful is a shortcut to Add Filter (Shift and Click on the filter you want to add), which saves moving your cursor across the screen from right to left.

Less helpful is a Zoom feature that’s limited to fixed percentages (25, 50, 100, 200, 400 percent) and while it works OK, the familiar magnifying glass tool where you click plus or minus is missing. Similarly, the Hand (Grabber) tool is also among the missing, having been replaced by a Navigator window that you slide around with a mouse. It seems like too many steps to me and I prefer using the hand to move the image around in the window. You may not care. If you do, I’ll bet these features will come back in a later version.

Film Efex: Faded produces a stylistic effect that simulates old, poorly handled prints. When people ask me about my influences, I usually say “The Old Masters” and show this photograph of a younger, bearded me. The interface of all the Film Efex filters have lots of sliders and this one offers controls for haze, vignette, and grain per pixel as well as a set of (by the numbers) “imagined” film types with a strength slider that lets you vary intensity or lack of intensity. This is film type 11 of 12 with the Film Strength slider set at 47. You can’t go wrong because the filter is applied to a duplicate layer and by changing the layer’s Opacity you can change the overall effect to suit your interpretation of the image.
© Mary Farace

Of course there are brand-new filters in Color Efex Pro 4, including Dark Contrasts, Detail Extractor, Film Efex: Faded, Film Efex: Nostalgic, Film Efex: Vintage, Image Borders, Levels & Curves, and Vignette: Lens. In addition, some of the existing filters have been updated, including Brilliance/Warmth, Contrast Only, Film Efex: Modern, Film Grain, High Key, Low Key, Paper Toner, Pro Contrast, Sunlight, and Tonal Contrast, to make them easier to use and also a bit more capable. You can see “before and after” examples of all of the 55 filters on Nik Software’s website.

When looking at these digital filters and thinking about how they can be used, keep in mind one of Farace’s Immutable Laws of the Computing Universe: all special effects filters/actions/whatever are subject dependent. What looks bad for one type of image may look outstanding for another, so consider that when examining the following examples.

Film Efex: Nostalgic creates effects based on “imagined” film types. You can use this filter to create special and interesting renditions of your photographs with vibrant colors or the look of a toy camera such as a Holga or Diana. All of the Film Efex, including Film Efex: Modern, which I believe was called Film Effects in Color Efex Pro 3.0, have the best sliders and controls and provide the fun and flexibility of Crayola’s 150-crayon Telescoping Tower. It has a set of 12 “fictional” film types (don’t look for “Kodachrome X”), providing a digital sandbox that lets you explore, as Kai Krause once said, “all of the images hiding within your photographs.”
© Joe Farace

In addition to filters, Color Efex Pro 4 uses the latest evolution of Nik Software’s U Point technology, providing an easy-to-use tool to fine-tune and stylize your images using precise adjustments without having to jump through the hoops of complex selections or layer masks. You simply click the place on your image using “Control Points” (in the right-hand side of the interface) and control its effect and opacity via some clever sliders that are surgically attached to the point. By using just a few mouse clicks, Control Points can be added or subtracted from images and are automatically blended throughout the image to produce natural-looking results. You can add as many Control Points as you like and while I used one to two for some for the images shown here, Nik Software’s Tony Corbell once told me he’s placed as many as 20 within a single image.

Image Borders add natural and random image borders to your photographs and use proprietary technologies to create image borders that are infinitely variable and yet organic. Nik Software’s Image Borders isn’t going to stop anyone from using onOne Software’s PhotoFrame but it’s a quick and easy way to add a border to an image that you’ll be using on your blog or maybe in an InDesign publication that you’re producing. And with a choice of 14 different borders, three sliders, and the way cool “Vary Border” control that lets you tweak them into more individuality, Image Borders should prove a handy design tool.
© Joe Farace

My advice is to make the sliders work for you, not the other way around. Don’t be afraid to push those sliders to the extreme ends of their scales. On some sliders, such as the Contrast slider in Detail Extractor, Nik changes the line to dashes that get thicker as you move to the right (increasing contrast). I consider these “warning strips” only as suggestion because nothing bad will happen if you push it “up to 11.” Why? Because the next tip is how the Fade (Edit>Fade…) command can help. You can use it to temper the effect of any filter you apply. Better yet, since Color Efex Pro 4 creates a new layer when any filter is applied, you can use the Layers palette’s Opacity control to moderate the effect, creating and fine-tuning the final look you may be trying to achieve.

Each subsequent version of Color Efex Pro has gotten better, easier to use, and more importantly increased the ability to create salable effects that portrait, wedding, and senior photographers can take to the bank.

Vignette: Lens simulates vignettes that can be created by different kinds of lenses and emulates the classic darkroom technique of darkening the edge of the frame to keep the viewer’s eye within the boundaries of the image and “increase the image’s sense of depth.” Of all the new filters included in Color Efex Pro 4, Vignette: Lens is probably the most subtle and I expect to be using it on portraits but tried flowers here to break up the variety of examples used in this review. The sliders are simplicity itself and control size, shape, brightness as well as the amount of vignetting. Like Nik Software’s Vignette: Blur command (that I really love), you can place the center of the vignette anywhere, giving you total control over the photograph’s final look.
© Joe Farace

Two versions of Color Efex Pro 4 will be available: the Complete Edition costs $199.95 and contains 55 filters while the Select Edition includes 26 filters and has a suggested price of $99.95. Upgrades from any Edition of Versions 2.0 or 3.0 are $99.95. If you purchased Color Efex Pro or a Complete Collection on or after August 7, 2011 you’re eligible for a free upgrade. If you’re not sure what Edition and filters best fit your imaging style, download a 15-day trial version and see for yourself using your own photographs. Me? I love ’em all and prefer the Complete Edition but I don’t like spending your money, so give the demo a try and make up your own mind.

For more information, contact Nik Software at: www.niksoftware.com.

Share | |
Comments
sandraxxx's picture
I've always had trouble

I've always had trouble creating color filters, they're just so complex. That's why I'm really excited for this one, I can't wait to try it out. - Steven C. Wyer

leonardo85's picture
New filters are adding more

New filters are adding more creative touches to the photographs. In the field of software designing newer and better concepts are emerging which are helping us perform better. I opened an online store last year using 1ShoppingCart ecommerce platform, I have received amazing results.

crazymeme's picture
software

Thank you for providing this great and useful article. I've recently installed this software together with a good Antivirus and I am very satisfied of it. It has some great features and is very useful especially if you are a professional photographer.

mukul's picture
These new bunch of filters

These new bunch of filters are bound to produce great result for the photographers. My friend is a professional photographer and she uses all sorts of new tools on the market. She hardly finds time for shopping so she buys everything online, she even bought TV Headend products from NSCCom.com recently.