On a clear, moonless night, far away from the glow of city lights, the universe opens up above me. Pinpricked with ancient points of light, the night is breathtaking. Lying on the ground and looking up at the sky on clear nights, it’s obvious that the universe is three dimensional. I’ve had moments of vertigo. I’ve had moments of awe. Our galaxy sweeps away in the bright clear arc of the Milky Way, so beautiful and complicated and ancient and unlikely that it makes my heart race. The sky is unforgettable.
All the elements were right for Robert Beck to try something different. Shooting for Sports Illustrated at the 2010 Winter Olympics in Vancouver, Robert’s coverage included both the qualifying and medal rounds of the men’s aerials event in freestyle skiing, so there was plenty of opportunity for him to capture not only the razor-sharp peak-action images that typify SI coverage, but also to modify his technique to take a shot or two at turning prose into poetry.
On The Cover
This month we have two points of view on how to make money with your camera—a successful stock photographer tells our reporter about her business, and Maria Piscopo gets the lowdown on today’s calendar and greeting card markets from a panel of pros. We also get an inside look on sports photography from two pros who share their very unique points of view. For more on photo business, just type “Business Trends” into the Search box at www.shutterbug.com.
By shooting with continuous studio lights photographers can enjoy the benefits of both studio strobe control and natural light aesthetics. With the explosion of D-SLR video capabilities, more companies have begun making continuous lighting options for photographers including florescent lights, LED panels, tungsten video lights and more.
Researchers at the Agency for Science, Technology and Research (A*STAR) have used stained glass as the inspiration to develop a unique method of creating sharp, full-spectrum color images at 100,000 dots per inch (dpi) without the need for inks or dyes. In comparison, existing industrial inkjet and laserjet printers only achieve 10,000 dpi, while research-grade methods can only dispense dyes for single-color images.
One of the first workshops I ever attended when I began my career over 30 years ago was with the legendary Don “Big Daddy’” Blair. One of the things Don was known for was his almost fanatical obsession with posing, especially hands. Things have changed a great deal since then and posing as a rule has become much more relaxed, but there are still some basic “rules” that can serve as guidelines that can be incorporated into your own style.
There are three general metering patterns available in most cameras—pattern (evaluative, matrix or other nomenclature, depending on the brand), center-weighted averaging and spot. Of all of them, spot gives you the greatest personal control over brightness and tonal values, which is how you become more engaged in your work. But being in the realm of personal creativity and decision-making means it demands more attention in return. In this article we’ll cover why you might want to give this least-used metering pattern a try.
On The Cover
This month’s issue focuses on lighting, with reports on gear, techniques, and a comprehensive roundup on the wide variety of lighting equipment available to photographers today. We also have a lab report on the exciting Fujifilm X-Pro1 and special book excerpts from two of the leading lighting/software practitioners today, Kevin Kubota and Scott Kelby. Please note that with this issue our Workshop and Events listings have gone online at www.shutterbug.com.
For the past few years we’ve watched the popularity of camera phones grow exponentially, as devices on the Android and Apple iOS platforms have offered more and more features, higher resolution cameras, and the ability to download a myriad of both free and paid apps of interest to photographers and the general consumer.
A typical digital camera’s sensor sees a range of light in wavelengths from approximately 350 to 1000 nanometers. A nanometer (nm) is a metric unit of length equal to one billionth of a meter. Your eyes usually see a range of light from approximately 400 to 700 nanometers. Most digital cameras place a low pass filter directly in front of the imaging sensor to allow low frequency light visible to the human eye to pass through to the sensor. It blocks unwanted light from the infrared and ultraviolet spectrums (the high end and the low end wavelengths) from polluting a photograph’s color. As owners of early Leica M8 cameras quickly discovered, this piece of glass is very important for maintaining maximum color fidelity.
Fill flash can be used for a quick fix for contrast problems that can be solved without further image processing. It is a powerful aid that can even trump today’s in-camera or post-process heightening of shadow detail. It can handle the problem with one exposure, and not rely on HDR or other curve adjustment tricks. Keep in mind that the sensor in your camera has a certain dynamic range that cannot be expanded even with such processing magic, and with too much work on the shadows some noise may creep in.
Aviation photography is on the rise, literally and figuratively. There are many reasons for this, from the ease and small expense of getting involved to the excitement and subject matter. I think it’s also because it’s a way we can all get in touch with our own history.
On The Cover
In this issue we feature our annual Top Products of the Year awards, with categories ranging from cameras to lenses to bags to apps, and more. Shutterbug is the sole US member of TIPA, the worldwide Technical Image Press Association, and we’re proud to be part of the nomination and selection process. We’re also adding a host of product tests, including a special surprise, a silver printing out paper that will open new doors for pinhole, photogram, and street camera shooters.
Most of us who are passionate about photography pursue the craft as either a career or a hobby for the simple enjoyment of creating beautiful or impactful images. Occasionally, however, a photographer picks up her camera with the lofty goal of changing lives or improving the world in which we live. Betsey Chesler is one such person.
Fall is that time of year when we as photographers aspire to capture the splendid color burst that surrounds us. After a few years it can be difficult to come up with new and fresh approaches. Combining camera movement with backlight is one way to capture the colorful exuberance of a bright autumn day.