Many of us continue to look for a Raw converter or image-editor that is easy to work with right out of the box. ACDSee Pro version 5 for Windows (www.acdsee.com) may offer the solution you seek. It’s a no-nonsense Raw converter that also offers image-editing under one roof—if in a semi-detached house.
The latest iteration of ACDSee Pro for Windows presents a slightly revamped interface, with 5 key modules, each with its own set of Menu commands. You enter the program in Manage mode where you can import images from any media or device onto your working drive and catalog them at that time or catalog and work with existing files in place, without importing them. All popular formats, including 16-bit Raw from numerous cameras, are supported for import and export, but not DNG export. If you move image files after cataloging or working on them, do so from within ACDSee to ensure that all linked files, notably XMP metadata, are moved together.
It doesn’t matter what you call it—available light, unavailable light, available darkness or low light photography—often the most rewarding photographs are produced when working under the most challenging lighting conditions. Photographs made under these lighting conditions are different from those made on a sunny day and often have a more eye-catching look. They also open the night and low light to making photos, times you might not have thought about as presenting fun photo ops in the past.
Mixing monochrome with color is a fun technique, and one of my personal guidelines about any software use is to have fun with your photography. In all of the manipulations and screen shots in this article I used Adobe Photoshop (www.adobe.com), but you can use any image-editing program that lets you apply Layers. There are a number these days, including the less-expensive Adobe Photoshop Elements and even plug-in programs like onOne Software’s Perfect Layers 2 (www.ononesoftware.com) that allow you to work in Layers from programs like Lightroom and Aperture, and Nik Software (www.niksoftware.com) products that make any adjustment you make a Layer within the file itself.
On The Cover
In this month’s issue we are featuring an insider’s look at the portrait photography business from a number of pros who have made their mark in the field. We’re adding in a number of lighting tests on strobes and monoblocs, as well as light modifiers, plus we’ve got lab tests on a Sony SLT and two compact cameras. Plus our photokina reports continue with a look at some really fascinating cameras.
While we usually devote this column to discussing trends in camera technology, every so often our industry does something special that’s worth a nod—in this case, a program to provide free portraits to the families of those currently serving in the U.S. military. Dubbed “Portraits of Love,” this project was developed by the PhotoImaging Manufacturers and Distributors Association (PMDA) and will be showcased at the upcoming Big Photo Show in Los Angeles.
A vocabulary word I still remember from high school chemistry is immiscible. This refers to the fact that some liquids can’t mix together to form a homogenous solution. Oil and water are an example. When oil is mixed with water, no matter how long you stir, they will never blend together to become one liquid.
You can create remarkable multicolored and monochromatic abstracts by dropping individual drops of food coloring in to water. The way the color mixes with the water is endlessly fascinating, constantly changing, and it produces images that are worthy of being framed.
On The Cover
This issue features the work of a number of photographers who have dedicated their time and energy to a personal project that we are happy to share with you. We also have continuing coverage of the photokina show, with reporting on new tripods and heads and camera bags and carriers, as well as a very special report on the state of stock photography today. We also have lab reports on two exciting new cameras, the Samsung NX20 and the Panasonic G5.
It is disappointing when you travel somewhere hoping for beautiful weather, and instead of sunrise and sunset lighting, beautiful cloud formations, and comfortable temperatures, you face a rainstorm, a dull sky, or even a blizzard. While the pictures that you had in mind may not be possible, there are always great photographs that can be taken. It’s just a matter of expanding your thinking.
I live in Tennessee, and in this part of the country it doesn’t get cold enough in autumn to see colorful leaves frozen in local rivers. When I first moved here, I had been hoping to get shots like that, and I was disappointed that it wasn’t going to happen. I came up with an idea to get the shots I wanted, though, and it worked out quite well. I was able to create artistic and colorful macro shots in which I had total control as opposed to finding beautiful patterns serendipitously.
One of the more interesting projects I’ve explored in photography is shooting birefringent crystals. Birefringence is the splitting of a light ray by a crystal into two components that are at different velocities and are polarized at right angles to each other. What this means in terms of photography is that when light passes through the crystals, you can see rainbow colors in the unique and beautiful forms that make up the crystal.
We spent a full week in Las Vegas earlier this month exploring the crowded halls of the 2013 Consumer Electronics Show, but it only took about an hour to confirm that the long-discussed convergence of mobile phones, tablets and camera technology is no longer a theoretical topic for discussion; it is a full-fledged reality. As you might expect, iPhone/iPad accessories targeted at the general consumer abounded, but there was also a wide array of innovative technology for the advanced photographer as well.
On The Cover
This month’s issue features the first in our series of reports from photokina, the worldwide imaging show, and features the new cameras of 2013. We’re also thrilled to bring you portfolios from Al Satterwhite, Michael Somoroff, Craig Blacklock, and Daryl and Justin Hawk, as well as a self-publishing saga by Jim Lynch and J. David Gray. Plus we have a lab test and pro essay on the exciting Nikon D4.
Earlier this month a national debate ensued after a freelance photographer captured the image of a man just before a New York subway train fatally struck him after he was pushed onto the tracks. The controversial photograph was subsequently published on the cover of the NY Post under the gruesome headline “DOOMED.”