Henry Diltz is a photographer who made his living first as musician with Modern
Folk Quartet (MFQ), then as a trusted friend and photographer of many successful
groups from that time forward. The Lovin Spoon Full, The Mama's and Papa's,
Crosby Stills and Nash, The Doors and many more. He bought his first camera
a Kodak "Pony", while on tour with his group. They had a photo shoot
out with slide film and when they got home they shared them with each other
in a slide show. That was enough to hook Henry on photography forever.
Working with color is one of the most common activities when editing photos. All photo-editors, from the most basic to the most advanced, have an abundance of tools available for altering colors. In this article, I’ll take a look at some of the basic tools that you’ll find in the most humble image processing software, even the one that came in the box with your camera.
There has been much debate recently about whether a higher megapixel camera
phone could serve as a replacement for a point & shoot digital camera. The
question is--if you carry a point and shot camera for the occasional snap, or
The computer needs of a digital photographer are different from someone who just wants to check e-mail and surf the Web. In this article, I’ll take a look at some of the features you should look for when considering a new computer. You can look at these suggestions as being divided into two categories: Essentials and Options. Essentials will provide the basic needs for the advanced amateur—not the pro—while Options covers those who use their camera to record video and their computer to edit it.
On vacation trips in the US, France, and Canada over a six-month period, I
often left my D-SLR system behind and carried only two Panasonic digicams: the
Lumix DMC-FZ8 with a 12x zoom and the very compact DMC-TZ3 with a 10x zoom lens.
Like nearly all other tourists, I did not carry a tripod. Hence, I was particularly
interested in digicam featuresinte...
While browsing through my archives recently, I rediscovered a fascinating 1944 magazine piece in which several artists, photographers and educators offered their views and expectations of photography after World War II. The article, which appeared in Popular Photography, gave new meaning to the famous Winston Churchill quote “The farther backward you can look, the farther forward you are likely to see.”
A Look Back: Big Changes, but Some Things Have Remained the Same
by George Schaub
Thinking about the past is natural at this time of year, when part of what
we do is recognize change as being part of the natural cycle of life. In photography,
massive changes have taken place that affectedus...
Every so often a treasure-trove of previously inaccessible images is made available that makes me want to drop everything and just marvel at the collection. Such was the case with almost a million never-before-seen photographs unveiled one year ago that represent a remarkable visual history of New York City.
Like many photographers, I grew up beholden to the great color palette and brilliant results of Kodachrome 25 and the easily pushable, low-light capabilities of Kodak Tri-X black-and-white film. These iconic products are but two of Kodak’s remarkable achievements that come to mind as we ponder the recent Chapter 11 filing of the company that invented the hand-held camera and was one of the world’s most notable brands for over a century.
If you have a window with thick or dark curtains, then you have the recipe for stunning dramatic lighting. You don’t need any special equipment—just your camera, the window, and curtains. This light is great for men and women, and can emphasize the mood and the form of your subject.
Natural light is stunning and is a great way to get an intimate portrait of your subject. You do not have the distraction of bright flashing strobes of the studio or having to make large modifications to natural light using diffusers or reflectors. Instead, window light helps you keep it simple, and allows you to connect with your subject more easily and keep the mood relaxed.
Many of us continue to look for a Raw converter or image-editor that is easy to work with right out of the box. ACDSee Pro version 5 for Windows (www.acdsee.com) may offer the solution you seek. It’s a no-nonsense Raw converter that also offers image-editing under one roof—if in a semi-detached house.
The latest iteration of ACDSee Pro for Windows presents a slightly revamped interface, with 5 key modules, each with its own set of Menu commands. You enter the program in Manage mode where you can import images from any media or device onto your working drive and catalog them at that time or catalog and work with existing files in place, without importing them. All popular formats, including 16-bit Raw from numerous cameras, are supported for import and export, but not DNG export. If you move image files after cataloging or working on them, do so from within ACDSee to ensure that all linked files, notably XMP metadata, are moved together.
“We are all in the gutter, but some of us are looking at the stars,” said Oscar Wilde, who, in his wildest dreams could not have imagined how truly spectacular the universe is. Thanks to “visionaries” like AdamBlock—...