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Faces Of Sunset Boulevard
Newsletter
• Feb 27, 2007 • 0 comments

FACES OF SUNSET BOULEVARD

A Portrait of Los Angeles

Patrick Ecclesine

www.facesofsunset.com



April 12 -- May 4, 2007

L.A. City Hall Bridge Gallery

Monday through Friday 8am-5pm.

Enter City Hall East at 200 N. Main Street

Los Angeles, California 90012

** Freet...
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Faith in the Shadows
Newsletter
George Schaub • Mar 01, 2005 • 0 comments

There are times when we have images that are too dark or too light and often
reject them out of hand. But the values only need to be adjusted to bring what
might have sat in shadow into the light. We can do that selectively with certain
tonal areas in the print or globally--that is, on the entire image. This
web how-to covers revealing what might sit in the shadows and deals with a very
simple global adjustment. The work is done here in Photoshop, but many other
image manipulation programs have similar controls.

...
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Faux Infrared
Newsletter
• Nov 30, 2010 • 1 comments

Faux Infrared

Plug-Ins And Actions That Do The Job

by Joe Farace

Capturing digital infrared images using the appropriate filter or a camera that’s been converted for IR capture can be lots of fun, but what about that huge library of film and digital shots you already have? With just a little bit of digital darkroomm...
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February 2009 Table Of Contents
Newsletter
• Feb 01, 2009 • 0 comments

February 2009

On the Cover
This month we explore the fascinating world of black and white photography through how-to articles, portfolios, and digital options. We even show you how to achieve monochrome magic via duotones! In addition, we have a D-SLR Test Report special, bringing...
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February 2013 Table Of Contents
Newsletter
Staff • Jan 22, 2013 • Published: Feb 01, 2013 • 0 comments
On The Cover
This issue features the work of a number of photographers who have dedicated their time and energy to a personal project that we are happy to share with you. We also have continuing coverage of the photokina show, with reporting on new tripods and heads and camera bags and carriers, as well as a very special report on the state of stock photography today. We also have lab reports on two exciting new cameras, the Samsung NX20 and the Panasonic G5.
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February Table Of Contents
Newsletter
• Feb 01, 2007 • 0 comments

February
2007

On
the Cover

This month we explore the realm of black and white photography. If
you've ever wondered how to get great color to black and white conversions,
wonder no more as Philip...
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February Table Of Contents
Newsletter
• Feb 01, 2008 • 0 comments

February
2008

On
the Cover

This month our focus is on black and white photography--from capture
and conversion to processing and printing. We show you how to use film and digital
technologi...
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February Table Of Contents
Newsletter
• Jan 26, 2010 • 0 comments

February 2010

On The Cover
This month we’re exploring the craft of architectural photography, as indicated by our striking cover image taken by Jeffrey Jacobs of the Janet Huckabee Arkansas Nature Center. To see more of Jacobs’s stunning images, see page 30. Architecture aside, we also have a book excerpt from Jon Canfield on...
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February Table Of Contents
Newsletter
• Feb 01, 2011 • 0 comments

February 2011

On The Cover
This month we have exclusive reports from photokina, the worldwide photo trade show. While we couldn’t cover all of the new products and innovations displayed at photokina, we did bring you the 2011 product highlights in cameras, lenses, lighting, tripods, accessories, and bags. Plus, we take a look atwhat&rsqu...
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February Table Of Contents
Newsletter
Staff • Jan 24, 2012 • Published: Feb 01, 2012 • 0 comments
On The Cover
This month, in addition to our usual run of product reviews, we are presenting you with a bit of software magic, as we share new tools and tricks we uncovered in the latest image-editing applications. We are also featuring an assortment of photo essays by photographers who realize the power the black-and-white medium holds.

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Fill Flash Won’t Do?
Newsletter
Chuck Gloman • Apr 26, 2011 • 0 comments

When fighting with the sun, your flash might not be powerful enough to fill in the deep shadows created by that large key light in the sky. Luckily, we have help in the form of reflectors which send almost all of the reflected light onto the subject. I will be referring to two types of reflectors here: the Flexfill (and its variations) and reflective (silver-sided) foam core.
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Filters and Digital SLRs: Why Color Controls Might Make Most Filters Obsolete
Newsletter
• Feb 27, 2007 • 0 comments

Filters and Digital SLRs: Why Color Controls Might Make Most Filters
Obsolete

by George Schaub

I used to own a suitcase filled with filters. I had screw-on filters and compendium
types, the holders that would take slide-in filters with adapters for a variety
of lens diameters. I would use filters to enhance color,compen...
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First Look: Canon Digital Rebel XTi
Newsletter
George Schaub • Oct 31, 2006 • 0 comments

First Look: Canon Digital Rebel XTi

by George Schaub

The Canon Digital Rebel line accomplished a number of things. It broke the
$1000 DSLR price barrier, with room to spare, and as a result brought DSLR photography
into the mainstream. What followed is history, with other makers bringing forth
their "bargain"...
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Floral Fusions: A Simple Set-Up For Creative Effects
Newsletter
Stacey G. Lloyd • Jun 15, 2012 • 0 comments
In an age of abundant paint software and texture apps, it is easy to overlook other approaches to painterly image creation. Using moving sheets of textured glass with slow shutter speeds is one alternative approach. When combined with flowers I call the result “Floral Fusions”.
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Flowers And A Soft Drink: Bubbles And Color Together
Newsletter
Jim Zuckerman • Mar 15, 2012 • 0 comments
We don’t normally speak of soft drinks and flowers in the same sentence, but there is a very cool technique that brings these two unlikely subjects together. Actually, you can use any kind of seltzer water or flavored water that is carbonated. Put the carbonated clear liquid in a glass or plastic container with clear and flat sides, and when you submerge the flowers in the liquid the bubbles cling to the petals. This is a unique subject matter for macro work, and with dramatic lighting the results can be quite beautiful.
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