We don’t normally speak of soft drinks and flowers in the same sentence, but there is a very cool technique that brings these two unlikely subjects together. Actually, you can use any kind of seltzer water or flavored water that is carbonated. Put the carbonated clear liquid in a glass or plastic container with clear and flat sides, and when you submerge the flowers in the liquid the bubbles cling to the petals. This is a unique subject matter for macro work, and with dramatic lighting the results can be quite beautiful.
You can create remarkable multicolored and monochromatic abstracts by dropping individual drops of food coloring in to water. The way the color mixes with the water is endlessly fascinating, constantly changing, and it produces images that are worthy of being framed.
While we usually devote this column to discussing trends in camera technology, every so often our industry does something special that’s worth a nod—in this case, a program to provide free portraits to the families of those currently serving in the U.S. military. Dubbed “Portraits of Love,” this project was developed by the PhotoImaging Manufacturers and Distributors Association (PMDA) and will be showcased at the upcoming Big Photo Show in Los Angeles.
Freestyle and the Creative Center for Photography Present: Three Generations
Freestyle Photographic Supplies is proud to announce a premiere black and
white photographic exhibition: "Three Generations of Weston Photography".
This exhibit runs from September 20 until December 3rd, 2007 at the gallery
of the CreativeC...
All the elements were right for Robert Beck to try something different. Shooting for Sports Illustrated at the 2010 Winter Olympics in Vancouver, Robert’s coverage included both the qualifying and medal rounds of the men’s aerials event in freestyle skiing, so there was plenty of opportunity for him to capture not only the razor-sharp peak-action images that typify SI coverage, but also to modify his technique to take a shot or two at turning prose into poetry.
I live in Tennessee, and in this part of the country it doesn’t get cold enough in autumn to see colorful leaves frozen in local rivers. When I first moved here, I had been hoping to get shots like that, and I was disappointed that it wasn’t going to happen. I came up with an idea to get the shots I wanted, though, and it worked out quite well. I was able to create artistic and colorful macro shots in which I had total control as opposed to finding beautiful patterns serendipitously.
When Polaroid dropped out of the instant camera business it left lots of Polaroid camera owners holding the (camera) bag. Without the dedicated film, Polaroids became instant paper weights, interesting items for the MOPO (Museum of Photographic Obsolescence.)When...
Fujifilm announced its sponsorship of the Rainforest Alliance's first
annual `Picture Sustainability Photo Contest' to raise awareness
around issues of sustainability and conservation. US residents are invited to
submit photos illustrating sustainable agriculture,forest...
There are many situations that you will encounter in your travels domestically as well as internationally where picture taking is prohibited. It’s a constant problem. One of the things I’ve learned over many years is that permission can often be granted to allow you to take the pictures you want. It just takes time, perseverance, sometimes money, and always luck.
In an ideal world, all digital photos would be technically perfect: well exposed and exhibiting detail in all areas including any bright segments, the mid-tones and in dark shadow areas. While that level ofdetail...
At my workshops and lectures I am often asked by photographers how I am able to get sharp images at slow shutter speeds out of the affordable 70-300mm zoom I use for backpacking while they are unable to get sharp images with their 70-200 f/2.8 pro lenses. It is true that when it comes to lenses, the price tag does match the quality in terms of durability and sharpness at wide apertures. But by the time my carry-along backpacking lens is stopped down to f/8, it is nearly impossible to tell the difference between photos taken with it and images taken with the most expensive pro lenses. Honestly, the lack of sharpness in photos has less to do with the tele lens you are using than it might seem and more to do with long lens technique.
The winds are kicking up and there is a chill in the air, a storm is coming. The afternoon light flickers bright to dim as the first clouds block the sun, racing east with the wind. The moments of sunshine get less and less as more and more clouds join the parade. The light changes from mellow to dramatic. I grab the camera and truck keys and make a dash down to the flats. This is not the first time, I’ve done it so much in fact that with the wind and light I know exactly where I want to be to shoot, so I step on the gas. Within a couple of minutes I’m in place and admiring the big battleships of gray ready to dump their load of snow on our home. A break comes in the clouds, the light comes streaming in as the camera goes click. It’s the perfect end to a fun chase.