Pro Techniques

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Rosalind Smith Posted: Mar 01, 1999 0 comments

If you ask Grace Hopkins-Lisle
where the greatest influence on her photography lies, she will probably
answer, "right here"--here being a small, odd-shaped, cement
house set pretty among trees at the end ofa...

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Rosalind Smith Posted: May 01, 1999 0 comments

Christine Triebert was looking
for a different way to photograph the landscape, an alternative process
that would be more subjective in nature, more abstract. She wanted to
continue working in silver since it would give...

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Rosalind Smith Posted: Feb 01, 1999 3 comments

When Claire Yaffa showed
her photographs to Cornell Capa, he said, "You take pretty pictures,
Yaffa, but what do you really want to say?" Yaffa thought long
and hard about the question. She had always beenin...

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Rosalind Smith Posted: Jul 01, 1999 0 comments

"Your camera is like
a Geiger counter. It takes you to the right place. When it faces something
that doesn't interest you, there is no tick-ticking, but when
it faces something you like, it is tickingaway....

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Rosalind Smith Posted: Jun 01, 1999 0 comments

Marnie Crawford Samuelson
recalls one of her earliest influences, the photographer Sam Abell,
telling about a body of work he did on canoeing. His bosses were not
enthusiastic about the project initially but Abell hadst...

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Joe Farace Posted: Sep 01, 2005 0 comments

My favorite scene in the film Lawrence of Arabia is when Peter O'Toole, as Lawrence, looks out onto the desert landscape and watches a rider riding slowly toward him. It turns out to be Omar Sharif but the encounter is made more dramatic by the widescreen format.

There are a lot of ways to make panoramic images, including cropping standard...

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Rick Sammon Posted: Aug 01, 2002 0 comments

I'll never use a zoom lens." That's what some of my professional photographer friends said when I first got into photography back in the mid-70s. Back then, zoom lenses did not compare in sharpness to fixed focal length lenses. What's more, the zoom...

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