Pro Techniques

Sort By: Post Date | Title | Publish Date
Filed under
Barry Tanenbaum Posted: Jun 01, 2009 0 comments

Dear Mr. King,
When I saw Chris Alvanas’s HDR (High Dynamic Range) photographs, my first thought was, they could be covers of Stephen King novels. They held mystery and more than a hint of menace; they suggested a story that would keep me turning pages long into the night.

What’s HDR photography? It’s a technique that makes possible...

Filed under
David Zimmerman Posted: May 23, 2014 Published: Apr 01, 2014 0 comments
There’s nothing more discouraging than making great shots in the field only to discover that they are nowhere to be found on your memory card when you get to your home or studio. That’s why we were happy to receive this list of mistakes to avoid when dealing with memory cards from David Zimmerman, CEO of LC Technology, a company that supplies data management and recovery solutions to a wide variety of companies within the field.—Editor
Filed under
David Grover Posted: Jun 03, 2014 Published: Apr 01, 2014 0 comments
An exposed photographic plate or a segment of exposed film inside a dark camera body are analog equivalents of today’s Raw file. Before digital technology made it possible to capture visual images electronically, a photograph was visible only after it had been processed in a darkroom with chemicals. Now the processing is handled either in camera or by Raw rendering software. The word “Raw” is not an acronym; it’s a simple description for a file that contains pure data, invisible to the human eye.
Gary Fong Posted: Mar 01, 2011 2 comments

Many photographers will walk out the door for a portrait shoot with little more than a camera and a reflector. They do so based on the common belief that flash photography is meant exclusively for indoor shooting, that flash is only used when there isn’t enough light to achieve a perfect exposure. However, based on my experience, a flash combined with a few affordable accessories has tremendous...

Peter K. Burian Posted: Jun 01, 1999 0 comments

Although we tend to take them for granted, batteries are an integral part of photography. Virtually every camera developed in the last 10 years becomes merely a paperweight without voltage to keep its mechanisms ticking. Unlike the previous generation which required power for little more than...

Filed under
Jason Schneider Posted: May 20, 2014 Published: Apr 01, 2014 0 comments
Given that the physical and perceptual experience of making a photograph is shaped by technology, and that technology is also embedded in the resulting images, one of the chief and perhaps most profound changes in how we make an image has been the changes in focusing—and recently autofocusing—technology. There’s a reason that the documentary photojournalism of Lewis W. Hine (shot with a ponderous 5x7 view camera or a 4x5 Graflex SLR) has a qualitatively different feel from that of Alfred Eisenstaedt or Henri Cartier-Bresson (shot with pocket-sized 35mm rangefinder cameras). It’s not only framing—it’s responsiveness, spontaneity, and, perhaps, repose, that underlies what these image-makers showed us.
Filed under
Lorraine A. DarConte Posted: Mar 01, 2011 1 comments

In recent years, “posing” has made a big comeback thanks in part to the deluge of photo enthusiasts with decent, affordable equipment who have swelled the ranks of wedding photographers to the point of bursting. This situation isn’t likely to change any time soon, so smart photographers have been buying books and videos and attending workshops and conventions to learn how to properly pose people...

Filed under
Barry Tanenbaum Posted: Mar 01, 2008 0 comments

Anyone who's watched Mark Steines co-anchor Entertainment Tonight knows he's remarkably at ease in front of the camera. Thing is, he may be even more comfortable behind it, especially if that camera is his digital SLR.

Not only that, he may be happier back there.

It is, after all, where he began. "Photography's...

Rick Sammon Posted: Apr 01, 1999 0 comments

Travel photographers are a unique breed. Some go to the ends of the earth to get pictures that tell a story of a faraway land. Others stay relatively close to home, documenting the pulse of a major metropolitan city--which might be a travel destination to...

Maria Piscopo Posted: Jan 01, 2006 0 comments

Judy Host (www.judyhost.com) only started her business 12 years ago but today you can find her working either in the home of a celebrity creating her award-winning portraits or in Africa documenting conditions in Rwanda and Uganda. By the time you read this, she may be in Ghana and Kenya or traveling to Cape Town, South Africa.

Filed under
Daryl Hawk Posted: Feb 01, 2008 0 comments

Turning 50 this past year led me to pause, take stock, and reflect back on the years that have passed by relatively quickly. As I look forward to the second half of my life, I realize why I became a documentary photographer. It has led me to the far reaches of the earth while enabling me to slow down and really look at life up close. It is the series of amazing journeys I have...

Barry Tanenbaum Posted: Feb 01, 2007 3 comments

I went into this determined not to portray fine art photographer Chris Faust as some sort of oddity because, lo and behold, he still goes into the darkroom. And as a photography teacher, he encourages others to do it, too.

But when I said, "I'm not going to approach this story as if you were an oddity in the age of digital," he stopped me with...

Howard Millard Posted: Feb 01, 2006 0 comments

Mysterious, evocative, otherworldly--these are all terms that describe the powerful emotional and visual responses to black and white infrared (IR) photography. For landscapes, this approach yields striking, contrasty images where healthy green foliage, which strongly reflects IR radiation, appears to glow in snowy white tones, while blue skies and water darken dramatically.

Rick Sammon Posted: Aug 01, 1999 0 comments

I'm a zoom lens man. I use zooms in virtually all my travel work, making exceptions when I need a macro or super telephoto shot.

This was not always the case. Back in...

Filed under
Jay Abend Posted: Feb 01, 2003 0 comments

The Inside Scoop

Face it, you like your equipment. You started reading Shutterbug for the ads, and there isn't an issue that comes where you don't check out the price on some photo item you must have. I started my...

Pages

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading