Pro Techniques

Sort By: Post Date | Title | Publish Date
Filed under
Phillip Andrews Posted: Sep 01, 2007 0 comments

There is no doubt that a well-crafted lith print is, to borrow an oft-used phrase from my father-in-law, "a thing of beauty is (therefore) a joy forever." The trick, for the experienced and occasional darkroom users alike, is the production of such a print. I have always had difficulty getting consistency with the production of my prints. Despite this frustration, my...

Filed under
Jim Zuckerman Posted: May 28, 2014 1 comments
The pearlescent colors that appear in soap bubbles are endlessly fascinating if you take the time to look at them closely. It is chaos at its most beautiful—a random mix of color that, unfortunately, we can’t freeze with our mind to examine any one instant in time. With a camera and flash, however, we can capture these amazing works of art and examine every detail, even though each design lasts only milliseconds.
Filed under
David B. Brooks Posted: Jan 01, 2006 0 comments

There's one lens that's part of my 35mm/digital SLR system that I have used longest, continuously now for about 40 years. It is a homemade single-element soft-focus lens inspired by the Rodenstock Imagon lens for large format cameras. There are more images in my library of photographs made with this lens than any other. But why in this modern, high-tech world of...

Filed under
Barry Tanenbaum Posted: Mar 01, 2007 0 comments

When we heard that David Alan Harvey was doing a book on women, it didn't seem like a surprising subject. A photojournalist with over 30 National Geographic stories to his credit, plus several books, we imagined that in the course of over 30 years of travel and photography he'd have many compelling images from which to choose. Not to mention current assignments that...

Filed under
Barry Tanenbaum Posted: Apr 01, 2009 0 comments

The who, what, when, and where of the story are easy.

Commercial and advertising photographer Charles Orrico was commissioned about two years ago by an ad agency to photograph at the abandoned Kings Park Psychiatric Center in Kings Park, New York, on behalf of a holding company that planned to develop the site. Building 93, the main structure in the complex, was of special...

Filed under
Art Rosch Posted: Oct 01, 2007 0 comments

The earth rotates tilted on its axis approximately 23Þ. This fact renders most forms of astrophotography maddeningly complex. There is one form of night sky photography that is given to us in relative simplicity by our home planet's relentless spin: star trails. All we need to create gorgeous star trail shots is a camera, a tripod, and a remote or cable release.
...

Scott Stulberg Posted: Apr 01, 2008 0 comments

Being a photography instructor is very rewarding and has proved to be an inspiration to me. Teaching Digital Photography at UCLA Extension in Los Angeles, I have found the interaction with students benefited me at least as much as them. But what if someone wants to take your class and is halfway around the world? That is where online teaching comes in and I am lucky enough to have...

Filed under
Jay McCabe Posted: May 01, 2005 0 comments

You promote the work that has your heart and soul in it, the work you want to keep doing.

The art director for an ad agency is setting up a storyboard presentation for a client's kick-off campaign for an upscale shopping mall. The plan calls for five evocative photographs to be used in print ads and on billboards. The photographs are key: they will set the look...

Filed under
Peter K. Burian Posted: Jan 01, 1998 0 comments

Is there a serious photo enthusiast out there who doesn't harbor a desire to see his or her work published? Well, the vast majority I know would love to market their images to books, magazines, and advertising agencies. In fact, the most commonly...

Filed under
Steve Bedell Posted: Apr 01, 2011 1 comments

In today’s world, stock photos often sell for pennies, yet there are still photographers out there making a good living selling work for a good price. By talking with stock shooter Bill Bachmann, I found out that I, and most of my portrait/wedding brethren, have been missing the boat big time by not using our client images for stock images. According to Bachmann, we’re sitting on a gold mine and...

Filed under
Moose Peterson Posted: Jun 13, 2013 1 comments
Some of the best photography is in the worst weather!” I’ve been saying that for decades and it comes from coming in from the cold, soaking wet and thrilled to death with the images I captured. The drama in the light, clouds and the response to it by nature is a once-in-a-lifetime spectacle you just can’t duplicate. In order to see it and photograph it, you have to get out in it and be able to work. And that’s where the challenge lies.
Filed under
Barry Tanenbaum Posted: Jun 23, 2011 Published: May 01, 2011 1 comments
Well, it’s really only one city—New York—but the assignment called for Jon Ortner to capture images so different in spirit and approach that he might as well have been in two very different cities. There was not only a dual nature to the job itself but also something of a split personality to the building Jon was hired by developer J.D. Carlisle to photograph. Located between 29th and 30th Streets on Sixth Avenue, the 54-story structure in fact has two names and natures: from the street to the 25th floor it’s the Eventi Hotel; at the 26th floor it becomes the Beatrice and rental apartments.
Barry Tanenbaum Posted: Jun 05, 2014 Published: Apr 01, 2014 0 comments
The camera Michael carries might be his Leica M6, loaded with either Ilford XP-2 or Kodak BW400CN chromogenic film and fitted with either a 35mm f/2 or 50mm f/2 Summicron lens; or his Fuji X10 point-and-shoot with its zoom lens set for the equivalent of 50mm; or his Nikon D200 or D700 with the manual 50mm f/1.4 Nikkor lens he got with his F3 back when he was in college.
Filed under
Joe Farace Posted: Oct 01, 2009 3 comments

Much of my portrait and fashion photography is done on location, but living in a place like Colorado the models (and the photographer, too) just aren’t always in the mood to stomp around in the cold weather and snow. That’s when a studio comes in handy. Some photographers just prefer having complete control over the lighting. Instead of the hassle and cost of renting a studio, why not...

Filed under
Josh Miller Posted: Feb 11, 2014 Published: Jan 01, 2014 0 comments
Sunstars are a great way to fill an otherwise boring, cloudless blue sky with a feeling of drama and excitement. They are often a way to add a compositional element that helps draw a viewer into a scene. Technically, any light source can create a “sunstar” as long as it is a tiny point of light and the camera is set correctly. We often see the star effect in shots of buildings with their lights twinkling at dusk, or the moon in the night sky. Most commonly we see star patterns when the sun is setting on the horizon, but in this case we only see half of the sunstar because the other half is being blocked by the horizon.

Pages

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading