George Schaub

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George Schaub  |  Dec 01, 2008  |  0 comments

Now we come to how exposure and creative photography go hand in hand.

Why would you need to change the aperture or shutter speed under different lighting conditions? Why would you want to use a fast shutter speed for one shot and a slow one for another? Why change apertures or ISO?

That goes to the heart of the photographic exposure system and is one of the most...

George Schaub  |  Dec 01, 2008  |  0 comments

When scene contrast is high there may be a danger of overexposure, particularly when you do not take care to read the highlight values to keep them well within the dynamic range capability of the sensor. When overexposure is extreme you lose detail in the subject, cause the image to look harsh, and may eliminate the possibility of making a good print from the photo, despite your best processing...

George Schaub  |  Dec 01, 2008  |  0 comments

Dubbed an “entry-level” D-SLR, the new Canon EOS Rebel XS is bound to be found under a number of Christmas trees this year, what with its $699 retail price and included EF-S 18-55mm f/3.5-5.6 lens. This kit lens is Optical Image Stabilized and adds to the allure of a camera with Live View, dust cleaning with Canon’s “Integrated Cleaning System,” and a (effective)...

George Schaub  |  Nov 01, 2008  |  0 comments

As this issue goes to press we’re off to photokina in Cologne, Germany, for the one show that always rocks the photo world. Held every two years, photokina is where just about every manufacturer in the industry from around the world gathers to show their wares, and their future tech, so that’s where we’ll be. Shutterbug is sending a team of reporters to cover every aspect of the...

George Schaub  |  Nov 01, 2008  |  0 comments

The Nikon D700 is the latest in what is clearly a continuing trend in so-called “full-frame” D-SLRs. Unless a radical departure from the classic 35mm form factor takes place, this class of camera cannot accommodate a larger sensor, at least in terms of area. The D700 does offer an (effective) 12.1-megapixel resolution, modest in terms of some of the competition, but also priced to...

George Schaub  |  Oct 01, 2008  |  0 comments

Those who spend most of their time working in natural light have come to appreciate the difficulties of making the best exposure reading, working the point of view, and maintaining tonal value and detail in the scene. One of the reasons for the increasing interest in HDR (so-called High Dynamic Range imaging) is that it seems to be a digital way to overcome the curse of the ancient...

George Schaub  |  Sep 01, 2008  |  2 comments

Like most everything else these days the cost of "art" inkjet printing paper seems to be going through the roof, so printmakers are seeking alternatives without sacrificing quality. The perceived issue with some so-called "third-party" papers (those that do not carry the printer maker's brand, thus lack a profile installed with the original start up...

George Schaub  |  Sep 01, 2008  |  0 comments

There's no doubt that digital allows you to blithely shoot away without concern for film and processing expense and to record every possible angle and compositional permutation, with bracketing to boot. In that, it has freed the image from the implied cost of every snap of the shutter--not to worry, you paid for most of that up front. Now what you get to spend is time...

George Schaub  |  Sep 01, 2008  |  0 comments

The Canon Digital Rebel series draws on a long tradition of Rebel cameras, going back to the 35mm SLR days, with cameras that were always companionable, easy to use, lightweight, and "simplified" for the general user. That simplification does not mean unsophisticated; to get simple to work there has to be lots of tech in the background. That was true with the Rebel...

George Schaub  |  Aug 01, 2008  |  0 comments

Created chiefly for the high-end Nikon D300 and D3, the new 24mm PC (Perspective Control) lens from Nikon can also be used on other Nikon D-SLR cameras, such as the relatively new D60 on which I tested it, albeit with some loss of full automation and functionality. Being a manual focus lens it can also mount on most Nikon film SLRs as well; being a PC lens it is unique in both...

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