George Schaub

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George Schaub  |  Jun 01, 2008  |  0 comments

Every year the PMA (Photo Marketing Association) convention brings together all things photographic to one spot and attracts visitors and exhibitors from around the world. We see the show as a way to gather information about what's new, and perhaps as important, what's coming in terms of technology in the months and even years ahead. To accomplish our task we have a...

George Schaub  |  May 01, 2008  |  0 comments

A funny thing happened to me while I was shooting and reviewing the new Sigma DP1 compact camera in New Mexico. I had taken a lunch break in a local taqueria and in came a couple that sat down at the next table. Next to the guy's backpack and hat he set down the Sigma DP1. I did a double take, and asked him how he liked it. "Great," he said, "the picture...

George Schaub  |  May 01, 2008  |  0 comments

Buffs of infrared photography often go to great lengths to get the ethereal effects that define their images. Now that Kodak has served notice that their high-speed black and white IR film is on the endangered species list, there will be IR film shooters everywhere looking for a way to continue their exploration of that fascinating world. In the past year we have reviewed two Fuji...

George Schaub  |  May 01, 2008  |  0 comments

While we at the magazine tend to get caught up in the exciting news about new products and technology, we also keep our eye out for topics we believe are of interest to photographers today. You might call these guiding lights that we will follow in the months and years ahead. We feel we owe it to you to occasionally state those topics explicitly, so you know where we are coming...

George Schaub  |  Apr 01, 2008  |  1 comments

At a recent photo trade show in New York numerous paper companies showcased the latest trend in inkjet media--papers that had the look and feel of the best of past silver printing papers. The diversity of weight, base color, and texture are now quite amazing, exceeding anything we ever had in the chemical darkroom. The truth of the matter is that while there are many brands...

George Schaub  |  Apr 01, 2008  |  0 comments

Now that Nikon has entered the "full" or FX-format realm with their new D3 the debate is sure to ensue about what creates the best image quality--so-called DX (or APS-C) sensors or the 35mm-size sensor found in the Nikon D3 and former Canon models and the new Canon EOS-1Ds Mark III, reviewed in this issue. (The D3 review will appear in our May issue.) These...

George Schaub  |  Mar 26, 2008  |  0 comments

If you ever want a unique point of view try a "fisheye" lens. Like
looking through a door peephole (which in fact is a "fisheye" type)
this order of lens sacrifices linear correction in favor of a very wide angle
of view. Originally made for creating "full sky" images when pointed
straight up, they had long ago been adopted by photographers for creation of
decidedly different points of view, and, today, even doing QuickTime movies
to display the interior of a condo or vacation home.


Sigma 4.5mm f/2.8 EX DC HSM (Motor-in) Lenses

...

George Schaub  |  Mar 01, 2008  |  0 comments

The new flagship model of the Nikon advanced amateur (or semi-pro, if you will) line-up, the 12.3-megapixel DX-sensor (1.5x multiplication factor) D300 incorporates all the latest features in the D-SLR realm, and then some. Sporting a new digital image processor, dubbed EXPEED, and a 3" monitor, the D300 can create 12-bit or 14-bit NEF images and capture up to 8 frames per...

George Schaub  |  Mar 01, 2008  |  0 comments

Gone are the days when we might be discussing the merits of stock vs. dilution ratios for film processing and the uses of potassium ferricyanide for snapping up highlights on prints. While these are still items of interest for those working in the chemical darkroom, the talk these days is more about raw image converters and which plug-ins are optimum for gaining a "Velvia...

George Schaub  |  Feb 01, 2008  |  0 comments

Those who have been around for a while have to be amused by the occasional proclamation that another black and white renaissance has occurred. This pronouncement from industry wags is made every few years to usher in another glorious age for black and white photographers and printers. This time around the gushing is around new inkjet papers, dubbed "exhibition quality"...

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