George Schaub

Sort By: Post Date | Title | Publish Date
George Schaub  |  Jul 18, 2012  |  0 comments
I have always been of divided mind when it comes to printing photographic images on canvas. I have certainly seen inkjet canvas material in use at galleries and fine art fairs, where watercolorists, pastel artists etc use the material to create lower-priced copies of originals, making the art affordable yet attractive for many buyers. In fact, it’s a fairly easy bet that the great majority of the canvas coming off inkjet printers is used for just that purpose. The main use of photographic imagery on this material, in my experience, is for portraiture and wedding photography, where the image can stand on its own or gets painted over by artists for a premium touch, and price.
George Schaub  |  Dec 20, 2010  |  2 comments

The new Casio Exilim EX-HG20G (list price, about $350) is a pocket size camera that is a traveling companion for those who like to see where they’ve been. Some examples: during my test with the camera we turned down a dirt road and “got lost” in the back areas of Arroyo Hondo, NM. We saw various side roads going this way and that, roads that weren’t on any map we had in the car. We shot a few pictures with the H20G and later plugged the images into Aperture 3.1 in our MacBook Pro, used the Places feature and voila, we saw exactly where we had been and where those back roads led.

 

 
The pocket-size Casio H20G sports maps, a memory for places and a GPS tracker that even records locales indoors.

...

George Schaub  |  Dec 01, 2005  |  0 comments

Coming in at just over a 1/2" thick and weighing an unnoticeable 4 oz, the Casio EXILIM EX-S500 is a wonder of miniaturization, considering it has a 3x optical zoom and 5-megapixel sensor. This, the latest version of Casio's mini-digicams, also has what the company terms Anti Shake DSP (Digital Signal Processor) and a large 2.2" LCD screen for both taking and...

George Schaub  |  May 24, 2013  |  First Published: Apr 01, 2013  |  2 comments
In an attempt to connect everything electronic, this year’s CES/PMA show in Las Vegas was awash in “smart” TVs, tablets, and various and sundry devices that can link to your device—be it phone, tablet, or camera—and allow you to access “image content” anywhere, anytime. There was also a rash of rough cameras, a 3D lens for still and video, new ways to customize your camera, and a major boost in USB storage and memory card speed. Following are some photo tech highlights.
George Schaub  |  Aug 15, 2012  |  First Published: Jul 01, 2012  |  0 comments
For years we have been working with the “traditional” Bayer sensor and its concomitant pluses and minuses, but we might soon see a change in the capture devices we have in our cameras. In this issue, Christopher Dack covers the recent work by Fujifilm, with a new filter pattern, Sigma’s Foveon sensor, and the elimination of the low-pass filter in Nikon’s coming D800E camera. As you’ll see, these moves challenge conventional thinking about the sensor we have become accustomed to in our cameras.
George Schaub  |  Nov 14, 2012  |  First Published: Oct 01, 2012  |  0 comments
While much has changed in the display and distribution of images you might like to sell, there’s no question that what has remained the same in making sales is first having work that’s marketable and then catching a few breaks to get the work sold. While the following may sound like I’m telling old tales, I thought relating how I got my first ever stock sales might give an indication of what it takes to get into the marketplace and start having your images pay some of the rent.
George Schaub  |  Sep 29, 2015  |  0 comments

The fascinating and dynamic city of Dubai, United Arab Emirates, played host to the 4th Annual HIPA Awards event earlier this year. Photographers from around the world took part in the HIPA Awards competition—dubbed “Life in Color”—and were honored with both gracious hospitality and generous prize awards. There were also two special awards: a Photography Appreciation Award, presented to Sebastião Salgado, and a Photographic-Research/Report Award, presented to Scott Kelby.<

George Schaub  |  Oct 26, 2015  |  0 comments

One of the main tools we have for creating visual effects are lenses, the photographer’s eye on the world. Every choice of lens has implications about what you can and cannot include in the frame, how subjects within the frame relate to one another and how we use aperture settings and focal length to create a special point of view. In this chapter we’ll explore lens choice as well as lens controls that are essential to creative photography, including depth of field and focusing options.

George Schaub  |  Mar 01, 2003  |  0 comments

This month we're
beginning a new department here in "Shutterbug" we call Point
of View. Photography is a wide-ranging field that engenders passion in
its practitioners, and like all great forms of expression creates opinions...

George Schaub  |  Aug 19, 2014  |  0 comments

In this article we’ll be exploring various in-camera creative options. Today’s cameras contain microprocessors that are like having a custom photo lab and graphic art studio built-in. In the color realm they allow you to choose color saturation (vividness), neutralize or enhance color casts (white balance) and even create custom color renditions to match every subject and scene. Drive modes allow you to capture fast action “in a hurry” and pick out the best frame, aiding you in getting the best sports shots you ever made.

Pages

X