Opinion

We have been, by and large, big fans of Canon's latest mirrorless cameras, including the recent full frame Canon EOS R and EOS RP. One area, however, has bugged us to no end. For left eye dominant shooters, using these cameras can be a bit of a nightmare.

Ever since she started making YouTube videos, professional photographer Irene Rudnyk has received comments from some viewers who say she’s holding her camera “wrong.” In particular, the commenters have criticized how Rudnyk holds her DSLR when shooting in portrait or vertical mode.

We have sung the praises of the Nikon Df on Shutterbug several times before so it’s nice to know we’re not the only ones still infatuated with this retro-styled DSLR from 2013. Photographer Mattias Burling who takes second looks at recent classic cameras on his excellent YouTube channel has put out a video titled “5 Reasons to Buy a Nikon DF in 2018 - As underrated as it gets.

We share a lot of photography tips videos by travel photographer Pierre T. Lambert but today’s tutorial is a bit different from the rest. First of all, it has a very provocative title: “Why Your Photo Suck – And Mine Too.”

Photographer Pierre T. Lambert wants to debunk a photographic myth. No, you don’t need to shoot in manual mode to take better photos, he says. It’s actually a lot more important to hone your photographic vision and not get bogged down in stressing over technical skills you might or might NOT need.

When getting started in photography, it's easy to get enamored with all the enticing equipment out there and go on a spending spree, listening to everything everyone suggests you need in the process. However, most of the photo gear people say you "absolutely need" to be a successful photographer isn't as important as they may make it seem, and it's critical to develop your own workflow of tools.

Photographer David Flores tackles an evergreen topic in the below video from B&H Photo: how important are megapixels, really? Back in the day when digital cameras were first being popularized, megapixel counts were everything, at least from a marketing standpoint, because it was assumed that a higher resolution camera was the better camera.