Lens News

If the term “lens compression” sounds familiar and you know it’s a thing, but you’re not sure what it does, how it works, and why it can be beneficial, the video below is for you. We’re going to clear up all the above and more in this episode of “Booray Explains.”

There was a time when lens flare was considered a negative attribute of photos shot outdoors. Often caused by using a lens with inferior coatings (or no coatings at all), flare can also result from failing to use a lens hood when shooting on sunny days (depending on your position relative to the sun).

We typically turn to lens guru Mathieu Stern for tips on cheap, vintage lenses that can be adapted for use with today’s modern digital cameras. But in the helpful video below, Stern provides a simple solution for the often-vexing problem of mold and fungus that is often found inside older lenses.

Tamron is a pioneer in all-in-one, do-everything lenses. Their new 28-300mm f/3.5-6.3 Di PZD lens is designed for Canon, Nikon and Sony shooters and I tested the Canon EF version using an EOS 5D Mark I and an EOS 50D, which changes the lens’ angle-of-view to that of a 45-480mm lens.

It’s a commandment brought down from the mountain: spend less on the camera if necessary, but don’t skimp on the lenses.

Misprint? No. The latest “all-in-one” zoom lens from Tamron ranges from 16mm to 300mm, the equivalent of 24mm to 450mm on my Nikon D300s (with APS-C size sensor). Add Vibration Compensation (VC), excellent Macro focusing and PZD Piezo Drive for quiet and blazing-fast autofocus and you’ve got “Lensational.”

There are three main elements in depth of field—focal length, aperture, and distance to subject—and depth of field is a very important part of a 2D photograph. It’s how we judge scale (or are fooled by it), how we note the importance of certain subjects within the frame, and how we define content and context in the scene. With these three controls, and using various points of view, it seems we have infinite variations to choose from, and that’s part of the creative play of photography. Now you can add a fourth element to the mix—tilts that range from mild to extreme and that create “slices” of sharpness within the frame. The tool that helps us create that effect is the latest optic from Lensbaby, which they dub the Edge 80.