DSLR News

Earlier this month we discussed five ways to boost autofocus with whatever gear you own. Today's tutorial from Great Big Photography World (GBPW) takes a look at one specific camera setting that will deliver the best possible results in a  variety of situations.

The new Sony A99 II is a DSLR-like Single-Lens Translucent (SLT) system with a fixed and translucent mirror system. It’s Sony’s first full-frame sensor SLT with an A-mount since the first A99, which was launched in 2012. The new camera features an electronic viewfinder system with high resolution (2.36 million RGB dots) and uses its mirror system for the AF sensor. It combines a standard AF system with a highly sophisticated image sensor AF system; it can use 79 AF areas on its dedicated AF sensor and 399 AF areas on the image sensor, resulting in very fast and reliable focusing. This combination is called “Hybrid Phase Detection AF.” The mirror system allows the user to work with an SLR-type focus system as well as a continuous live preview on the screen or electronic viewfinder.

Sony announced today that it's bringing the Sony A68 (model ILCA-68) DSLR camera featuring ultra-fast 4D autofocus to the US and Canada markets.

Sony is not shy about who this new D-SLR is designed for—those seeking to step up from point-and-shoot digicams into the land of interchangeable lenses and easy application of creative controls.

The Sony Alpha A550 (with kit 18-55mm lens, $1049 list; body only, $949 list) takes us another step forward with in camera processing of HDR and DRO functions. While these items, to me, are the headliners for this camera, other camera amenities add to its allure. These include an articulating monitor, two Live View modes, very good high ISO results, a fast 5 fps (frames per second) shooting rate...

Boasting incredibly high resolution for a 35mm-size D-SLR, the A900 features a full-frame sensor and some unique technology. Sony developed an Exmor 24x36mm CMOS chip for this camera; it’s packed with 24.6 million effective pixels but they’re quite large (5.9 microns vs. 5.5 microns with the A700) thanks to the oversized sensor and improved design. As a bonus, analog-to-digital...

One of the first choices you come across when setting up a new camera is the Color Space setting where you can select either sRGB or AdobeRGB, and both have their purposes. If you want to know what’s the best option for you, and when to change it, read on.