Sometimes we're out in the field and conditions aren't great. Either the light isn't right, or maybe everything you see looks like images you've shot in the past. So what to do?
If you’re unfamiliar with the term, “destructive editing” occurs when you process an image in a way that overwrites the original file and there’s no way to undo the adjustments once the image is saved. In other words, if you make a mistake, you’re out of luck.
Last week we presented a quick solution for eliminating ugly color fringing from photographs captured outdoors in high-contrast situations. Today we're tackling another unsightly problem; namely, color banding and gradient banding that can also ruin an otherwise great shot.
Sunsets and sunrises are among the most popular scenes to shoot; yet photographers are often disappointed with their results because of the difficult lighting conditions involved. If you want to make sure your images are as spectacular as what you witnessed through the viewfinder, watch the detailed tutorial below.
One of the most common software questions we get is how do you change or remove a background in Photoshop. Well, there are multiple ways to do it but one of the best is explained in the below video from Phlearn.
A simple way to give photos more impact is to change the color of one or more objects in the scene. And you’ll be surprised how easy this task is to accomplish in Photoshop by watching the video below.
Creating composites in Photoshop where you clip a subject from one background and place it in another is not hard but it's challenging to do right. We don't know how many composites we've seen where the person or object that's been moved to a new background looks unrealistic because of a poor clipping job or an uneven blend.
Highlights and shadows can be the bane of landscape photographers who often confront scenes with a wide range of tones that exceed the density range of their camera. Today's quick tutorial from the folks at How to Use concentrates on the former, with a straightforward Lightroom method for eliminating blown-out areas within the frame.
Panorama photos are a lot of fun to make and can really grab attention. Some cameras can automate the process by merging successive shots to achieve a pretty good result. Doing it this way may require a tripod for absolutely precise merging, and you'll still need some post-processing to finish up the job.
Black-and-white photography is still incredibly popular and with good reason. There’s just something about a classic, black-and-white image that catches the eye.
Some landscape scenes look far more compelling when rendered in b&w, whether you captured the shot using your camera's monochrome mode or do a conversion later during the editing process. In either case, some thoughtful processing is required for optimum results.
Every so often we photograph a beautiful outdoor scene even though the light isn’t quite right. That’s because it’s not particularly difficult to add depth and drama to an otherwise great shot with a bit of help from Lightroom.
If you’re serious about landscape photography and want to blow a few minds, pull up a chair and watch the 15-minute tutorial below, as one of our favorite outdoor photographers demonstrates how to create absolutely amazing HDR panorama images in either Photoshop or Lightroom.
Sometimes you shoot a color image and realize it would look more compelling by converting it to b&w because of the potential for awesome contrast and other characteristics within the scene. Today you'll learn why you should avoid the common amateur approach, and use a method favored by a top pro that is still simple to accomplish.